Basque dance

Basque dance is the folk dance by Basque people of Basque Country ^,

From one part of the Basque country to another the music, steps and costumes change, but the collective reveals the Basques’ deep love of dance. There are approximately 400 distinct Basque folk dances, each with its own story and significance. Some, the more ancient ritual dances, are performed only for particular events or circumstances and initially were performed by male dancers only. Many include the use of sticks and swords that the dancers strike together as they progress through the movements of the dance. The more recent social dances derive from early celebratory dances but are today devoid of any sacred function. They are characterized by differences in style and function, and allow for dual-gender participation. Some are more complex, while others are simpler. Some are ritual while others are entertaining. Some sacred and other profane. Some are open group dances and others closed. Generally the space in which they are carried out is open, although a few were originally danced in closed quarters. The vast majority are danced only by men, some only by women and others by both sexes. The basic characteristics of Basque dance are seen in the choreography, historical and festive elements, and the universal traits of tradition, entertainment, tourism and especially religious-festive events. You can tell a good dancer by how high they jump, their double clicks, how high they kick, and their gracefulness.

Voltaire noted in his observations

Strabo's observation in the first century B.C.

Dantzari Dantza from Durangaldea (Biscay) is a well known cycle of dances where on the eve of the local feast day, it is the custom to set up the traditional San Juan or Donianeatxa oak tree (now usually a poplar). The trunk is peeled and the branches limbed, and flowers and a sometime a flag or two are placed at the top. All of the festive activities take place around this symbol, which is set up in the middle of the town square. The nine dances that make up the cycle have remained unchanged since at least the 19th century; the choreography consists of two parallel rows of dancers standing face to face. The dancers, in a show of virility, very skillfully manoeuvre fighting weapons as part of the dance.

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