Barnum and Bailey's Favorite

"Barnum and Bailey's Favorite" is a circus march written by Karl King for the circus of the same name in 1913.

"Barnum and Bailey's Favorite", often referred to as "The Granddaddy of Circus Marches", was composed by Karl King in 1913 and was published through C. L. Barnhouse Company. King's earliest known compositions date from 1909 with this, his most famous work, being composed in only his fifth year of composing.

King played euphonium in many circus bands including Barnum and Bailey's, for more than a decade. As is common in his compositions, Karl King made the euphonium part a major voice in the march.

King was asked by the bandmaster of the Barnum and Bailey Circus Ned Brill to write a march for the circus. This has become his most famous composition, being called "the finest work written to celebrate 'The Greatest Show on Earth'" and is one of the most recognizable marches of all time.

The composition is largely a standard march consisting of an introduction, a first strain, second strain, trio and a break strain. The intro, first strain and second strain are all in the key of concert A♭ and the piece is written in cut time. The tempo may range 120 to 160 beats per minute. The introduction lasts eight measures with the ensemble playing three chords of A♭, then D♭ minor second-inversion with concert F♭ in the bass voices and then another A♭ chord second-inversion with the basses having a concert E♭. The cornets/ trumpets fanfare the next four measures as the basses play counter melody play juxtaposed into the first strain. The first strain has the upper woodwinds, high brass and euphonium playing an eighth note melody as the band swells in dynamics before reaching the end of the strain with more trumpet and euphonium fanfare. In the second strain, the melody starts out in the low winds and brass in a loud and quick fury of notes in a passage in F minor. This is traded off to the high voices in a softer running melody as the euphoniums play a running counter melody. This repeats itself with the trombones and tubas joining the euphoniums in their theme to the end of the strain.

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