Barbara Weir
| Barbara Weir | |
|---|---|
| Born | c.1945 near Utopia, Northern Territory |
| Nationality | Australian |
| Known for | Painting |
| Movement | Contemporary Indigenous Australian art |
Barbara (originally Florrie)Weir (born c. 1945) is an Australian Aboriginal artist and politician. One of the Stolen Generations, she was removed from her aboriginal family and raised in a series of foster homes. After becoming reunited with her mother in the 1960s and divorced in 1977, Weir eventually returned to her family territory of Utopia, 300 kilometres (190 mi) northeast of Alice Springs. She became active in the local land rights movement of the 1970s and was elected the first woman president of the Indigenous Urapunta Council in 1985. She did not begin painting until 1989 at about age 45, but she became recognised as a notable artist of Central Australia. Her work has been exhibited and collected by major institutions. She also has managed her mother's career; since Minnie Pwerle began painting in 2000, her work has become popular.
Barbara Weir was born about 1945 at Bundey River Station, a cattle station in the Utopia region (called Urupunta in the local Aboriginal language) of the Northern Territory. Her parents were Minnie Pwerle, an Aboriginal woman, and Jack Weir, a married Irish man described by one source as a pastoral station owner, by a second as "an Irish Australian man who owned a cattle run called Bundy River Station", but by another as an Irish stockman. Under the anti-miscegenation racial laws of the time, their relationship was illegal, and the two were jailed. Weir died not long after his release. Pwerle named their daughter Barbara Weir.
Weir was partly raised by Pwerle's sister-in-law Emily Kngwarreye. (After age 80, Kngwarreye took up art and became a prominent artist.) Weir grew up in the area until about age nine. One of the Stolen Generations, she was forcibly removed from her Aboriginal family by officials; the family believed she was later killed. This was done under the Aborigines Protection Amending Act 1915, government or assigned officers were authorized in the territories to take half-caste children to be raised in British institutions to assimilate them to European culture. Some, like Weir, were "fostered out", and she grew up in a series of foster homes in Alice Springs, Victoria, and Darwin. Boys were usually prepared for manual jobs and girls for domestic service.
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