Barbara Dane (born May 12, 1927) is an American folk, blues, and jazz singer.
"Bessie Smith in stereo," wrote jazz critic Leonard Feather in the late 1950s. Time said of Dane: "The voice is pure, rich ... rare as a 20 karat diamond" and quoted Louis Armstrong's exclamation upon hearing her at the Pasadena jazz festival: "Did you get that chick? She's a gasser!"
Barbara Dane's parents arrived in Detroit from Arkansas in the 1920s. Out of high school, Dane began to sing regularly at demonstrations for racial equality and economic justice. While still in her teens, she sat in with bands around town and won the interest of local music promoters. She got an offer to tour with Alvino Rey's band, but she turned it down in favor of singing at factory gates and in union halls.
Moving to San Francisco in 1949, Dane began raising her own family and singing her folk and topical songs around town as well as on radio and television. A jazz revival was then shaking the town, and by the 1950s she became a familiar figure at clubs along the city's Embarcadero with her own versions of women's blues and jazz tunes. New Orleans jazz musicians like George Lewis and Kid Ory and locals like Turk Murphy, Burt Bales, Bob Mielke and others invited her onto the bandstand regularly. Her first professional jazz job was with Turk Murphy at the Tin Angel in 1956.
To Ebony, she seemed "startlingly blonde, especially when that powerful dusky alto voice begins to moan of trouble, two-timing men and freedom ... with stubborn determination, enthusiasm and a basic love for the underdog, [she is] making a name for herself ... aided and abetted by some of the oldest names in jazz who helped give birth to the blues." The seven-page Ebony article was filled with photos of Dane working with Memphis Slim, Willie Dixon, Muddy Waters, Clara Ward, Mama Yancey, Little Brother Montgomery and others.