Banned in Boston

"Banned in Boston" was a phrase employed from the late 19th century through the mid-20th century, to describe a literary work, song, motion picture, or play which had been prohibited from distribution or exhibition in Boston, Massachusetts. During this period, Boston officials had wide authority to ban works featuring "objectionable" content, and often banned works with sexual content or foul language.

Early instances of works being "banned in Boston" extend back at least to the year 1651. That year, William Pynchon, the founder of Springfield, Massachusetts—Massachusetts' great settlement in the Connecticut River Valley—and the former treasurer of the Massachusetts Bay Colony, wrote a book criticizing Puritanism entitled, The Meritous Price of Our Redemption. Boston, founded by Puritans and, at that time, ruled as a de jure theocracy, banned Pynchon's book and pressed him to return to England. He did so in 1652, which nearly caused Springfield to align with the nearby Connecticut Colony.

Boston was founded by the Puritans in the early 17th century, who held strict moral standards. Boston's second major wave of immigrants, Irish Catholics, began arriving in the 1820s and also held conservative moral beliefs, particularly regarding sex. The phrase "banned in Boston", however, originated in the late 19th century at a time when American "moral crusader" began a campaign to suppress vice. He found widespread support in Boston, particularly among socially-prominent and influential officials. Comstock was also known as the proponent of the , which prevented "obscene" materials from being delivered by the U.S. mail.

Following Comstock's lead, Boston's city officials took it upon themselves to ban anything that they found to be salacious, inappropriate, or offensive. Aiding them in their efforts was a group of private citizens, the Boston Watch and Ward Society. Theatrical shows were run out of town, books were confiscated, and motion pictures were prevented from being shown; sometimes movies were stopped mid-showing, after an official had "seen enough". In 1935, for example, during the opening performance of Clifford Odets' play Waiting for Lefty four cast members were placed under arrest.

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