Balthasar van der Ast
| Balthasar van der Ast | |
|---|---|
Still Life of Flowers, Fruit, Shells, and Insects, c. 1629, Birmingham Museum of Art
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| Born | 1593 or 1594 Middelburg, Zeeland, Dutch Republic |
| Died | 1657 Delft, Holland, Dutch Republic |
| Education | Ambrosius Bosschaert |
| Known for | Painting |
| Movement | Dutch Golden Age painting |
Balthasar van der Ast (1593/94 – 7 March 1657) was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards.
He was born in Middelburg and died in Delft.
His lifetime of works was once summarized by an Amsterdam doctor who said, "In flowers, shells and lizards, beautiful".
Balthasar van der Ast was born in Middelburg in the Southern Dutch province of Zeeland, in the family of a prosperous wool merchant. His birth was not recorded, but years later, on 30 June 1618, his older brother Jacob’s legal action indicated that Balthasar was around 25 years old at the time, making his birth date 1593 or 1594. His father, Hans, was a widower, and when he died in 1609, Bathasar moved in with his older sister, Maria, and his brother-in-law, the prominent Dutch painter Ambrosius Bosschaert the Elder (1573–1621), whom Maria married in 1604. Van der Ast was trained by Bosschaert as a still life painter, and his early works clearly show Bosschaert’s influence. In turn, the three sons of Ambrosius Bosschaert, Ambrosius the Younger (1609–1645), Johannes (ca. 1612/13-1628 or later), and Abraham (1606-1683/84) were trained by van der Ast upon the death of their father. Together, this group of painters is sometimes referred to as the “Bosschaert dynasty”.
Van der Ast accompanied the Bosschaert family in their move in 1615 to Bergen op Zoom and in 1619 to Utrecht, where van der Ast entered the Utrecht Guild of St. Luke.Roelandt Savery (1576–1639) entered the St. Luke’s guild in Utrecht at about the same time. Savery, had considerable influence on van der Ast and his pupils in the years to come, especially in van der Ast’s interest in tonality. Besides the Bosschaerts, his pupils were Anthony Claesz and Johannes Baers. It is also likely that Jan Davidsz de Heem (1606-1683/84) was van der Ast’s pupil in Utrecht. He also influenced Willem and Evert van Aelst, and Bartholomeus Assteyn.
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