8 tracks
Side one "Thunder Road" "Tenth Avenue Freeze-Out" "Night" "Backstreets" Side two "Born to Run" "She's the One" "Meeting Across the River" "Jungleland"

8 tracks
Side one "Thunder Road" "Tenth Avenue Freeze-Out" "Night" "Backstreets" Side two "Born to Run" "She's the One" "Meeting Across the River" "Jungleland"

"Backstreets" is a song by Bruce Springsteen from the album Born to Run, which was released in 1975. In the original vinyl release, it concludes side one of the record.

"Backstreets" begins with a minute-long instrumental introduction that features pianist Roy Bittan playing both piano and organ, with only occasional traces of any other instruments being heard. In his review of Born to Run for Rolling Stone, writer Greil Marcus said:

"Backstreets" has also been interpreted as a narrative about a homosexual relationship, since the name Terry is sexually ambiguous. It has also been said to potentially represent a platonic but intense friendship between two men that has faded. However, listening to any of the numerous bootleg versions of "Backstreets" from the 1978 "Darkness on the Edge of Town" tour, Terry is repeatedly referred to as "she" and "little girl," confirming that Terry is indeed a woman. Another interpretation is that it is about Springsteen's relationship with his early 70s girlfriend Diane Lozito. In his autobiography, Born to Run (autobiography), Springsteen states that "Backstreets" is about a broken friendship.

The melody and organ bear some resemblance to "Positively 4th Street" by Bob Dylan, an influence of Springsteen's. Rolling Stone claims that it echoes mid-60s Dylan, especially the organ part reminiscent of Blonde on Blonde.

During the 1978 Darkness Tour, Springsteen would often add a semi-improvised interlude in between the final chorus and the outro. It usually involved Springsteen singing solo accompanied by the piano. The other instruments would then join in as the interlude built to a climax. It elaborated on the story of the protagonist and Terry. It differed from performance to performance but frequently involved the protagonist reminiscing about a good time he and Terry had shared, followed by an emotional condemnation of her subsequent betrayal.

This interlude has become known to Springsteen fans as the "Sad Eyes" interlude (not to be confused with the Springsteen song of the same name) due to frequently occurring lyrics stating that Terry had sad eyes or should dry her tears. It has also been referred to as the "Baby I remember you" or "Little girl don't cry" interlude. Parts of the interlude later materialized in recast form as the song "Drive All Night" on The River album in 1980. The interlude version of "Backstreets" has not been performed live since, however it can be heard on numerous fan bootlegs from that tour.

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Wikipedia