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Babes In Arms

Babes in Arms
Babes in Arms Logo.png
Original Broadway Logo
Music Richard Rodgers
Lyrics Lorenz Hart
Book Richard Rodgers and Lorenz Hart
Productions 1937 Broadway
1939 film

Babes in Arms is a 1937 musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart and book by Rodgers and Hart. It concerns a group of small-town Long Island teenagers who put on a show to avoid being sent to a work farm by the town sheriff when their actor parents go on the road for five months in an effort to earn some money by reviving vaudeville.

Several songs in Babes in Arms became pop standards, including the title song; "Where or When"; "My Funny Valentine"; "The Lady Is a Tramp"; "Johnny One Note" and "I Wish I Were in Love Again".

The film version, released in 1939, starred Judy Garland and Mickey Rooney and was directed by Busby Berkeley. Its radically revised plot retained only two songs from the original stage version — "Where or When" and "Babes in Arms". The film is credited with popularizing the "kids putting on a musical show for charity" trope.

The original version had strong political overtones with discussions of Nietzsche, a Communist character and two African-American youths who are victims of racism. In 1959 George Oppenheimer created a "sanitized, de-politicized rewrite" which is now the most frequently performed version. In the new version, the young people are trying to save a local summer stock theatre from being demolished, not trying to avoid being sent to a work farm. The sequence of the songs is drastically changed, the orchestration changed, and the dance numbers eliminated.

The sanitized version was the only one available for performance until 1998 when the Cincinnati College Conservatory of Music presented the original version (with a few race references slightly re-edited.)

Babes in Arms opened on Broadway at the Shubert Theatre on April 14, 1937, transferred to the Majestic Theatre on October 25, 1937, and closed on December 18, 1937 after 289 performances. The production, under the auspices of Dwight Deere Wiman, was staged by Robert B. Sinclair with choreography by George Balanchine. Settings were by Raymond Sovey, and costumes by Helene Pons. Hans Spialek created the orchestrations and Gene Salzer led the orchestra which included pianists Edgar Fairchild and Adam Carroll. The cast featured Mitzi Green, Ray Heatherton, and Alfred Drake, as well as the Nicholas Brothers


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