"Babbacombe" Lee | ||||
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Studio album by Fairport Convention | ||||
Released | November 1971 | |||
Recorded | August–September 1971 | |||
Studio | Sound Techniques, London | |||
Genre | Folk rock | |||
Length | 41:20 | |||
Label | Island | |||
Producer | John Wood & Simon Nicol | |||
Fairport Convention chronology | ||||
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"Babbacombe" Lee is the seventh album by English folk rock group Fairport Convention. Released in 1971, it tells the life story of John "Babbacombe" Lee, a Victorian-era alleged murderer who was condemned to death but reprieved after the gallows failed on three occasions to work properly. After the commercial and chart success of its predecessor, Angel Delight, the album sold disappointingly, and although critically acclaimed, it has its place in musical history as the first "folk rock opera".
The album is a concept album that follows John "Babbacombe" Lee's life story. The events of his life are described in song, from his boyhood through his conviction for murder, sentence of death, and the failure to carry out the sentence. The songs describe his boyhood poverty, his time in the Royal Navy, and his being invalided out. The album then describes how Lee went to work in the service of a Miss Keyes. While Lee was in her service, she was murdered, and he was accused, tried and convicted of the crime, and sentenced to death; however, when authorities attempted to hang him, the gallows failed three times, resulting in his release. These events are all told in song, and all but one of those songs are originals.
Dave Swarbrick has explained that he conceived the album after discovering a file of old newspaper clippings in a junk shop; this file contained John Lee's own copies of the newspaper articles and was bound by him, signed and dated 30 January 1908.
Because of its relatively complete narrative structure, "Babbacombe" Lee has been called a rock opera, and because of the band's musical style, in particular the first folk rock opera.
Songs written by Fairport Convention
The original album listed tracks episodically rather than as discrete tracks, reflecting the structure of the narrative.
Each of the five sections is composed of a number of songs and fragments of songs that were not listed separately on the original album.