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Bécassine


Bécassine is a comic strip and the name of its heroine, appearing for the first time in the first issue of La Semaine de Suzette on February 2, 1905. She is considered the first female protagonist in the history of comics.

The character Bécassine is a young Breton housemaid, usually depicted wearing a green dress pastiching traditional Breton peasant costume, with lace coiffe and clogs. She is said to come from Finistère, the area most associated with traditional Breton culture. However, her clothing has non-Breton elements, reminiscent of the local costume of Picardy. She is usually portrayed without a mouth.

Seen as a stereotype and remnant of the contempt with which the Bretons were long seen, she is the typical provincial girl as seen by the more refined city people of Paris, the target audience of the young girls' magazine La Semaine de Suzette. But over the course of the stories, and coupled with the success she has, she is depicted more and more favourably. "Bécassine" is a nickname, derived from the French word for a number of birds of the family of the snipe, which is also used as a way of saying "fool" in French.

Initially made as filler for a blank page, the story, written by Jacqueline Rivière and drawn by Joseph Pinchon, was such a success that new pages regularly appeared, still in the guise of page fillers.

Only in 1913 did Bécassine become the heroine of more structured stories. Still drawn by Pinchon, the stories were then written by Caumery (pseudonym of Maurice Languereau), one of the associates of Gautier-Languereau, the publisher of La Semaine de Suzette. At that time, the character's real name was revealed to be Annaïck Labornez, her nickname coming from her home village, called Clocher-les-Bécasses.

Between 1913 and 1950, 27 volumes of the adventures of Bécassine appeared. Pinchon drew 25 of them, and Edouard Zier the other two. All 27 were credited as being written by "Caumery", but after Languereau's death in 1941, the pseudonym was used by others.

After Pinchon's death in 1953, the series continued with other artists, most notably Jean Trubert beginning in 1959.


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