Ayinde Bakare
| Ayinde Bakare | |
|---|---|
| Born | 1912 Lagos, Nigeria |
| Died | 1 October 1972 (age 59/60) Lagos, Nigeria |
| Genres | Jùjú, highlife |
| Occupation(s) | Bandleader |
| Instruments | Guitar, banjo ukulele |
| Years active | 1930s-1972 |
| Labels | Melodisc |
Ayinde Bakare (1912 – 1 October 1972) was a pioneering Yoruba jùjú and highlife musician in Nigeria.
Saibu Ayinde Bakare Ajikobi was born in 1912 at Okesuna Lafiaji area of Lagos to a soldier father. His father, Pa bakare was from Ajikobi Compound in Ilorin, Kwara State.He attended St. Mathias Catholic School, Lafiaji. Thereafter, he worked as an apprentice boatbuilder with the old Marine Department in Lagos. He began his foray into music after watching a band play at an engagement. He asked the band leader, Tunde King if he could be an apprentice with the band and was allowed by King to be a student. Bakare also played for an early juju exponent, Alabi Labilu.
He began performing around 1935, and first recorded on the HMV label in 1937.
One of his early juju tracks was Layinka Sapara, a praise song dedicated to the daughter of Oguntola Sapara, on the other side of the track was Ajibabi unlike Layinka was played with the more popular Sakara sound. Bakare formed a band which he later called Meranda after the film Miranda. The group started with four members (banjo ukulele, shekere, juju, vocals), but by 1949 had grown to seven members, and by 1959 to eight (electric guitar, shekere, juju, two varieties of conga (akuba and ogido), gangan, and two supporting vocalists). He is thought to have been the first juju musician to use an amplified guitar, in 1949, after switching to the guitar from the banjo ukulele. Bakare's innovations established the mainstream style of juju music in Nigeria after World War II. He tried to retain the same personnel within his bands, used his own material rather than that from other bands, and tried to avoid any dilution of the traditional features of his music, believing that musical continuity would enhance its quality.
He was extremely popular with the socialites across Yorubaland, especially in Lagos and Ibadan in the 1950s and 1960s, gaining him the nickname "Mr Juju". He also visited and toured in Britain in 1957. Recordings made in London at that time by Bakare and his Meranda Orchestra were issued as singles in Britain by Melodisc Records, and were later compiled as an album, Live the Highlife, released in 1968.
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