Avonmore (album)
| Avonmore | ||||
|---|---|---|---|---|
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| Studio album by Bryan Ferry | ||||
| Released | 17 November 2014 | |||
| Genre | Art pop, sophisti-pop | |||
| Length | 43:21 | |||
| Label | BMG Rights Management | |||
| Producer | Bryan Ferry, Rhett Davies, Johnson Somerset, Todd Terje | |||
| Bryan Ferry chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| The Guardian | |
| Pitchfork Media | (6.7/10) |
| PopMatters | (8/10) |
| Rolling Stone | |
Avonmore is the fifteenth studio album by the British singer Bryan Ferry, released in the United Kingdom on 17 November 2014.
The title of the album was named after the location of Ferry's studio in London where it was recorded. The album was announced on 23 September 2014 with a preview of the song "Loop De Li". The album was produced by Ferry with longterm collaborator Rhett Davies, who has produced several albums for Ferry and Roxy Music. The album also features Ferry regulars such as Fonzi Thornton, Nile Rodgers, Marcus Miller, and Johnny Marr (who co-wrote the track "Soldier of Fortune"). The album includes two cover versions, a rendition of Stephen Sondheim's "Send in the Clowns" and a version of "Johnny and Mary", originally by Robert Palmer. The latter track was a collaboration with the Norwegian DJ/producer Todd Terje and first appeared on Terje's album It's Album Time which was released earlier in 2014.
Avonmore peaked at number 19 on the UK Albums Chart, and number 72 on the US Billboard 200.
Reception of the album was generally positive. In a four-out-of-five-stars review, AllMusic critic Stephen Thomas Erlewine wrote that "this is Ferry's prime, a moment when his legacy was intact but yet to be preserved in amber" and that the album "consciously evokes this distinct period, sometimes sighing into the exquisite ennui of Avalon but usually favoring the fine tailoring of Boys and Girls, a record where every sequenced rhythm, keyboard, and guitar line blended into an alluring urbane pulse" and that "the songs are what makes this record something more than a fling".PopMatters critic John Paul wrote that the album "functions as a well-deserved victory lap for both Ferry and those he’s assembled, triumphantly returning to relevance and reminding listeners he’s been doing this since the '70s. It's just taken this long for the mainstream to catch up with where he’s been all along". Writer T. Cole Rachel from Pitchfork Media was less positive, giving the album 6.7 out of 10, writing that the album, in places, "flounders when the music, which routinely flirts with a kind of adult contemporary smoothness, leans over into blandness" and stating that "Ferry's well-documented good taste is both an asset and possibly a curse" and concluding that the record is "a fine addition to Bryan Ferry’s oeuvre, if not necessarily a terribly challenging one".
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