Auguste Bonheur | |
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Portrait of Auguste-François Bonheur by French photographer Adolphe Dallemagne
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Born |
Bordeaux, France |
3 November 1824
Died | 21 February 1884 Paris, France |
(aged 59)
Nationality | French |
Education | National School of Fine Arts in Paris |
Known for | Painting |
Movement | Realism |
Awards | Knight of the Legion of Honour |
Auguste Bonheur (3 November 1824 in Bordeaux – 21 February 1884 in Bellevue, Seine-et-Oise) was a French painter of animals and bucolic scenes in landscapes. In his compositions he was able to accurately depict the horizon, ambience, luminous settings and space. His works show the influence of the paintings of cattle by seventeenth-century Dutch painters such as Aelbert Cuyp and Paulus Potter.
During his lifetime Bonheur's works were compared to those of his more successful older sister, the renowned animal painter Rosa Bonheur. This is believed to have had a negative effect on his career. Nevertheless, Bonheur's paintings enjoyed popularity among British art collectors. In the Netherlands, the uncle of Vincent van Gogh, an art dealer also called Vincent van Gogh, owned one of his paintings.
Auguste Bonheur was the younger brother of the renowned painter Rosa Bonheur and older brother of the animalier sculptor Isidore Bonheur. Auguste was the first son of the painter Oscar-Raymond Bonheur (1796–1849) and Christine Dorotheé Sophie Marquis (1797–1833). His mother died a year after the birth of her last child, Isidore. Raymond Bonheur remarried and moved to Paris in 1829. His daughter, Juliette, born in 1830, also became a painter, and married the artist Auguste François Hippolyte Peyrol in 1852. The Bonheur family lived in Magny-les-Hameaux in the department of Yvelines. Auguste Bonheur was admitted to the École des Beaux-Arts de Paris in 1848 in the studio of Paul Delaroche. Like his sister Rosa, he became a peintre animalier.
Bonheur preferred the traditional and detailed painting style and received his education at his father's atelier. Bonheur exhibited at the Salon of 1845. In 1852 he won a third-class medal for his landscapes Côtes de Brageac (Cantal) and Environs of Mauriac (Cantal), and a first-class medal in 1861. In the 1860s he made a trip to Scotland. His Highland Scene with Cattle in the Victoria and Albert Museum of 1863 depicts the scenery of the Scottish lochs.