Atomic | ||||
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Studio album by Mogwai | ||||
Released | 1 April 2016 | |||
Studio | Castle of Doom, Glasgow | |||
Genre | Post-rock, soundtrack | |||
Length | 48:37 | |||
Label | Rock Action | |||
Producer | Tony Doogan | |||
Mogwai chronology | ||||
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Singles from Atomic | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 77/100 |
Review scores | |
Source | Rating |
The A.V. Club | B |
Consequence of Sound | B |
Drowned in Sound | 7/10 |
Exclaim! | 8/10 |
The Guardian | |
musicOMH | |
Pitchfork | 7.1/10 |
PopMatters |
Atomic is an original soundtrack album by Scottish post-rock band Mogwai, released on 1 April 2016 on Rock Action Records.
The music was originally composed for Mark Cousins' documentary Atomic, Living in Dread and Promise.
The album features entirely instrumental music from start to finish. The song titles allude to atomic bombs such as Little Boy and Tzar Bomba as well as scientific or military objects and concepts connected with nuclear warfare such as SCRAM, Uranium-235 and Pripyat, the abandoned city near the Chernobyl Nuclear Power Plant in Ukraine.
It is the first Mogwai album to not feature guitarist John Cummings, who left the band in 2015.
Atomic received largely positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 78, based on 16 reviews, which indicates "generally favorable reviews".
Morgan Evans of PopMatters praised the album, stating, "It’s a thrill to hear Mogwai’s sense of control more than ever, conservative energy capping certain parts at a gentle murmur. Their work on the Les Revenants soundtrack was otherworldly, whereas it is astounding how Atomic, an album composed of reworked versions of the music recorded for the soundtrack to director Mark Cousins’ documentary Atomic: Living in Dread and Promise, has feet firmly planted in learning how to live with, if not love, the bomb. If you are impatient, you’ll dread wondering if some of the songs are going anywhere, but most listeners will be fully rewarded with the promise that even the most ominous music on here is leading up to something transportive."