Athena Tacha (Greek: Αθηνά Τάχα; born in Larissa,Greece, 1936), is best known in the fields of environmental public sculpture and conceptual art, but has also worked extensively in photography, film and artists’ books. The best statement on her artistic philosophy, "Rhythms as Form", was first published in Landscape Architecture, May 1978, pp. 196–205.
Tacha was born in 1936 in Greece. She received an M.A. in sculpture from the Athens School of Fine Arts in Greece; an M.A. in art history from Oberlin College, Oberlin, Ohio; and a Doctorate in aesthetics from the Sorbonne in Paris (1963). After her studies, she worked as Curator of Modern Art at the Allen Memorial Art Museum of Oberlin College, organized contemporary art exhibitions (including Art In The Mind, 1970), and published as A. T. Spear two books and various articles on Auguste Rodin, Brâncuși, Nadelman and other 20th-century sculptors. She married art historian Richard E. Spear in 1965. From 1973 to 2000, she was Professor of sculpture at Oberlin College. Since 1998, she has been an Affiliate of the University of Maryland, College Park, and lives in Washington, DC.
One of the first artists to develop environmental site-specific sculpture in the early 1970s, Tacha has won over fifty competitions for permanent public art commissions, of which nearly forty have been executed throughout the U.S., including an entire city-block park in downtown Philadelphia. She has had six one-artist shows in New York—at the Zabriskie Gallery, the Max Hutchinson Gallery, Franklin Furnace, the Foundation for Hellenic Studies, and the Kouros Gallery - and has exhibited in numerous group shows throughout the world, including the Venice Biennale. Concurrently, she produced a body of textual and photographic conceptual works, many of which were published as artist's books.