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Astro Creep 2000

Astro-Creep: 2000
WhiteZombie-AstroCreep2000.jpg
Studio album by White Zombie
Released April 11, 1995 (1995-04-11)
Recorded 1994 (1994)
Studio NRG Studios
(Los Angeles, CA)
Genre Industrial metal, groove metal, alternative metal
Length 52:01
Label Geffen
Producer Terry Date
White Zombie chronology
La Sexorcisto: Devil Music Volume One
(1992)La Sexorcisto: Devil Music Volume One1992
Astro-Creep: 2000
(1995)
Supersexy Swingin' Sounds
(1996)Supersexy Swingin' Sounds1996
Singles from Astro-Creep: 2000
  1. "Electric Head, Pt. 2 (The Ecstasy)"
    Released: 1995
  2. "More Human Than Human"
    Released: 1995
  3. "Super-Charger Heaven"
    Released: 1996
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Robert Christgau (dud)
Entertainment Weekly (B+)
Q 3/5 stars
Rolling Stone 3/5 stars

Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head (or simply Astro-Creep: 2000) is the fourth and final studio album by White Zombie, released on April 11, 1995 by Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only album to feature John Tempesta on drums.

The album was highly anticipated due to the surprise success of the band's previous release La Sexorcisto: Devil Music Volume One. Ivan DePrume, the drummer on La Sexorcisto, had left the band to start Burningsound studios during their touring sessions for that album. The band later recruited former Exodus and Testament drummer John Tempesta for the recording of this album. The album had help from significant industrial musicians, such as the keyboard work from Charlie Clouser, who had worked with artists like Nine Inch Nails, Rammstein, Marilyn Manson, Killing Joke, and more. They had also hired Terry Date (Deftones, Pantera, Soundgarden) to produce Astro-Creep: 2000 for them. According to J., the album comprises seventy-two track recordings, forty-eight of which are analog and twenty-four being digital recordings. The entire album took three months to write and another three to record. For the album, the band had a much bigger recording budget and more freedom in time.


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