Art nouveau
Paris metro station Abbesses, by Hector Guimard (1900); Poster by Alfons Mucha (1897); Lamp by Louis Comfort Tiffany (1900–1910); Wall cabinet by Louis Majorelle; Interior of Hôtel Tassel by Victor Horta (1894)
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| Years active | 1890–1914 | ||||||
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| Country | International | ||||||
Art Nouveau (French pronunciation: [aʁ nuvo], Anglicised to /ˈɑːrt nuːˈvoʊ/) is an international style of art, architecture and applied art, especially the decorative arts, that was most popular between 1890 and 1910. A reaction to the academic art of the 19th century, it was inspired by natural forms and structures, particularly the curved lines of plants and flowers.
English uses the French name Art Nouveau ("new art"). The style is related to, but not identical with, styles that emerged in many countries in Europe at about the same time: in Austria it is known as Secessionsstil after Wiener Secession, in Spanish Modernismo, in Catalan Modernisme, in Czech Secese, in Danish Skønvirke or Jugendstil, in German Jugendstil, Art nouveau or Reformstil, in Hungarian Szecesszió, in Italian L'Art Nouveau, Stile floreale or Stile Liberty, in Norwegian Jugendstil, in Polish Secesja, in Slovak Secesia, in Russian Модерн (Modern), and Swedish Jugend.
Art Nouveau is considered a "total" art style, embracing architecture, graphic art, interior design, and most of the decorative arts including jewellery, furniture, textiles, household silver and other utensils, and lighting, as well as the fine arts. According to the philosophy of the style, art should be a way of life. For many well-off Europeans, it was possible to live in an art nouveau-inspired house with art nouveau furniture, silverware, fabrics, ceramics including tableware, jewellery, cigarette cases, etc. Artists desired to combine the fine arts and applied arts, even for utilitarian objects.
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