Armando Pizzinato

Armando Pizzinato (Maniago, 7 October 1910 – Venice, 17 April 2004) was an Italian painter.

Armando Pizzinato was the elder son of Battista Pizzinato and Andremonda Astolfo. He started work at 15 to help his mother after the loss of his father. He made an apprenticeship with a house painter and later was employed in a local bank. Since childhood he had a passion for painting and drawing, and the purchase of the book Lives of the Most Excellent Painters, Sculptors, and Architects by Giorgio Vasari (The Lives) played a large role in developing that passion even more. He was still a teenager when the manager of the bank arranged lessons for Armando with the painter Pio Rossi. Then, in 1930, thanks to the money he was earning, he could be enrolled in the Accademia di Belle Arti di Venezia (School of fine arts of Venice). Shortly later he got to know some of his contemporaries such as Alberto Viani, Giulio Turcato, Mario De Luigi, Ferruccio Bortoluzzi (in the 40s), Carlo Scarpa, Afro Basaldella and Mirko Basaldella.

In 1933 he takes part with five paintings to the exhibition Cinque giovani pittori veneti (Five young painters from Veneto) in the Gallery Il Milione in Milan. In 1936 he obtains a Marangoni scholarship to go to Rome. In 1940 he is the winner of the second Premio Bergamo (Bergamo award) (National painting exhibition).

In 1941 he marries Zaira Candiani, with whom he had a daughter, Patrizia, born 19 August 1943. Zaira will be a source of inspiration for many of Pizzinato's paintings. After Zaira's death in 1962 Pizzinato married his second wife, Clarice Allegrini.

During WWII Pizzinato was a socialist member of the Italian resistance movement, he was arrested by the fascists and imprisoned. After the war Pizzinato dedicates his life to art. He joins Italian avant-garde movements and participates, with Emilio Vedova and others, to the creation of the Fronte Nuovo delle Arti. The Fronte movement made an exhibition at the Venice Biennale in 1948. Peggy Guggenheim, who visited that exhibition, bought there the painting Primo maggio (in English: May Day) of Pizzinato and later donated it to the MoMA, where it still is. In turn, Pizzinato donated to Peggy Guggenheim a couple of paintings, such as Cantieri, still part of the Peggy Guggenheim Collection. In those years he created, among other works, a mural with Emilio Vedova inspired by the Italian resistance.

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