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Ardh Satya

Ardh Satya
Ardh Satya, 1982 fim.jpg
DVD cover
Directed by Govind Nihalani
Produced by Manmohan Shetty
Pradeep Uppoor
Written by Vasant Dev (dialogues)
Screenplay by Vijay Tendulkar
Story by D. A. Panwalker
Based on Short story Surya
by S.D. Panwalkar
Starring Om Puri
Smita Patil
Amrish Puri
Shafi Inamdar
Naseeruddin Shah
Sadashiv Amrapurkar
Music by Ajit Verman
Cinematography Govind Nihalani
Edited by Renu Saluja
Release date
  • 19 August 1983 (1983-08-19) (India)
Running time
130 minutes
Country India
Language Hindi
Budget 0.67 crore (equivalent to 7.9 crore or US$1.2 million in 2016)
Box office 1.56 crore (equivalent to 19 crore or US$2.7 million in 2016)

Ardh Satya (Hindi: अर्ध सत्य; Half Truth) is a 1983 film directed by Govind Nihalani, his second offering after another angst-ridden movie Aakrosh (1980). The screenplay of both movies was by Vijay Tendulkar, the noted Marathi playwright; this one was based on the short story, 'Surya', by S.D.Panvalkar, and featured dialogues by Vasant Dev.

In this acclaimed cop-drama, the protagonist, played by Om Puri, is a policeman struggling with the evils around him and with his own frailties. The film also stars Amrish Puri, Smita Patil, Naseeruddin Shah, and Sadashiv Amrapurkar, and features a theme poem by the Marathi writer Dilip Chitre. Nihalani was looking for a new actor to play the role of Rama Shetty when writer Tendulkar convinced him to see the play of Amrapurkar. It was a marathi play called “Hands Up”. The title of the film came from a poem written by Dilip Chitre.

Ardh Satya won many awards and went on to become a landmark film in Indian film history. It is still considered to be one of the best cop films made in India. A sequel titled Party was released in 1984.

The film opens at a party where Anant Welankar (Om Puri), a police officer, meets Jyotsna Gokhale (Smita Patil), a lecturer in literature at a local college. Anant is a sub-inspector with Bombay police. They seem to hit it off despite some initial skirmishing about ideology, and the friendship blossoms into a relationship.

Anant brings diligence, enthusiasm and a definite idealism to his job. But the job is harsh. There is a deep nexus between the local mafia, the cops and the (corrupt) politicians. Honest himself, Anant falls among the lower rungs of the police hierarchy and has very limited scope of authority on the state of affairs in his area.


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