Archie Dagg

Archie Dagg (1899–1990) was a shepherd and traditional fiddler, piper and composer from central Northumberland. He was born at Linbriggs, in Upper Coquetdale, and except for his time in the Army at the end of the First World War, lived all his life in that region. In the late 1930s, he was a member of the English Sheepdog Trials Team; when competing with them in Scotland, he would play Scottish tunes on the Northumbrian smallpipes, and found he would get a steady supply of free drams.

Dagg learned the fiddle from his father, who forbade him to play anything but hymns on a Sunday; later he led the Hillbillies Dance Band during the 1920s and early 1930s. He was also an early member of the Northumbrian Pipers' Society[1][2]; later he played as one of The Border Minstrels, along with Billy Pigg, John Armstrong (of Carrick), and Annie Snaith, from 1938. They did not play much during the war years, but restarted after the war. In a taped interview, another Border shepherd, Willie Scott, recalled that traditional musicians were rarely influenced by records or radio, Archie Dagg the piper certainly wasn't. he also stated that very few musicians could read music, one old piper, a cousin of his fathers, could "trace out an air" from scores, though it took him a long time before he could play it right, Archie Dagg couldn't, he needed to hear an air.

After retiring from farming, and settling first at Swindon, near Rothbury, and later at Rodsley Court, Rothbury, Dagg took to pipemaking, and particularly reedmaking, for which he became highly respected. Kathryn Tickell has stated [3] that she learned on a set made by him; she still uses the bellows made by Archie Dagg with her current set. Francis Wood, himself a pipemaker, writes that "Dagg's best reeds were scraped relatively thin, giving a clear bright tone with a very rapid response, highly suitable for original Robert Reid chanters and others made after this pattern." Distinctively, he signed his reeds on the inside, in reverse, so his name is visible when the reed is held up to the light.

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