Antonia Bird
| Antonia Bird | |
|---|---|
| Born | 27 May 1951 Kensington, London, England, UK |
| Died | 24 October 2013 (aged 62) London, England, UK |
| Occupation | Theatre, television & film director & producer |
| Years active | 1968–2013 |
Antonia Jane Bird, FRSA (27 May 1951 – 24 October 2013) was an English producer and director of television drama and feature films.
In 1968, at the age of 17, Bird began working in theatre as an assistant stage manager at Coventry Rep. She worked her way up doing a variety of jobs, including acting, stage management, publicity, theatre administration, and directing in repertory and regional theatres. She directed a season of plays at The Studio at Chester Theatre and later joined Leicester's Phoenix Theatre as a director.
Bird was named Resident Director at the Royal Court Theatre in 1978. She was appointed Artistic Director of the Royal Court's Theatre Upstairs, London's leading venue for new writing. Her first television production was Submariners (1983), an adaptation of one of her Royal Court productions which she directed for the BBC. She was recruited by the originators and founding producers of EastEnders, Julia Smith and Tony Holland, to direct the series in 1985; she directed seventeen episodes, including the series' first two-hander, between the characters Den Watts (Leslie Grantham) and Angie Watts (Anita Dobson).
The creators of a new BBC series, Casualty (1986) recruited her to be one of the series' first directors. She next directed the six-part adaptation of Ann Oakley's The Men's Room (BBC 1991). Her next production was a feature-length film adaptation of A Masculine Ending (1992), Safe (BBC 1993), a story based on the lives of a group of homeless young people in London's West End was awarded the Best Single Drama TV BAFTA. The film also won a British Academy Award and a clutch of festival prizes including the Edinburgh International Film Festival First Film Award and Best British Film at the Dinard Film Festival. The film brought Bird to international attention, but was overshadowed by the success of Priest (BBC/Miramax 1994), which she directed immediately following Safe.
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