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Antoine Guillemet

Antoine Guillemet
Jean-Baptiste-Antoine Guillemet, c. 1900.jpg
Jean-Baptiste-Antoine Guillemet
Born (1843-06-30)June 30, 1843
Chantilly (Oise)
Died May 19, 1918(1918-05-19)
Mareuil-sur-Belle (Dordogne)
Nationality French
Education
Movement Realism, Impressionism
Awards Legion Honneur Commandeur ribbon.svg
Commandeur

Jean-Baptiste-Antoine Guillemet (June 30, 1843 in Chantilly (Oise) – May 19, 1918 in Mareuil-sur-Belle (Dordogne)) was a French renowned landscape painter and longtime Jury member of the Salon des Artistes Francais. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.

Antoine Guillemet born in Chantilly, in the Oise, he studied under Jean-Baptiste Camille Corot, Achille-François Oudinot (1820-1891), Charles-François Daubigny and Gustave Courbet.

Guillemet showed an early interest in sailing, a pursuit which was actively discouraged by his parents. He briefly studied law, but this too proved to be a false start. It was in 1859, when he received a commission from a local collector to copy Gericault's famous The Raft of the Medusa Musee d'Amiens, that Guillemet’s career as an artist was launched.

Two years later, while still only twenty-one, Guillemet was introduced to Corot by Berthe Morisot. Like many of the young artists, Guillemet affectionately called Corot Papa and remained a lifelong admirer of the artist. This meeting led to Guillemet's studying with Corot's pupil Achille Oudinot, and it was through Oudinot, who had property at Auvers-sur-Oise, that Guillemet met Daubigny, Ernest Meissonier, Honoré Daumier, and Antoine-Louis Barye, among others. By 1864 Guillemet had also encountered Edouard Manet, Alfred Stevens, Camille Pissarro, Claude Monet, Gustave Courbet, and Paul Cézanne and later, Henri Fantin-Latour, Edgar Degas and Jean-Frédéric Bazille. When Cézanne finally exhibited at the Salon in 1882, his entry described him as ‘pupil of Guillemet’. It was Guillemet, in fact, who introduced Manet to Cézanne and who first took Émile Zola to Manet's studio.


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