Antoine-Jean, Baron Gros
| Antoine-Jean Gros | |
|---|---|
Antoine-Jean Gros,
by François Gérard (1791) |
|
| Born |
16 March 1771 Paris |
| Died |
25 June 1835 (aged 64) near Meudon |
| Education | College Mazarin |
| Known for | Painting |
Antoine-Jean Gros (16 March 1771 – 25 June 1835), Baron of the Empire, was a French painter. His work was in the genres of history and neoclassical artwork.
Gros studied under Jacques-Louis David in Paris and began an independent artistic career during the French Revolution. Forced to leave France, he moved to Genoa and witnessed the nearby Battle of Arcole (1796). Inspired by an event during the battle, he produced a portrait of the French commander, Napoleon Bonaparte, then a newly-promoted general. The portrait brought Gros to public attention and gained the patronage of Napoleon.
After travelling with Napoleon's army for several years, he returned to Paris in 1799. Gros produced several large paintings of battles and other events in Napoleon's life. These were mostly in a neoclassical style, but Napoléon on the Battlefield of Eylau adopted a more realistic portrayal of the horrors of war. Gros also painted portraits of officers in the French army and members of French high society. After the fall of Napoleon, he shifted his artistic focus and produced more history paintings, which art historians regard as less impressive than his earlier work.
Born in Paris, Gros began to learn to draw at the age of six from his father, Jean-Antoine Gros, who was a miniature painter, and showed himself as a gifted artist. Towards the close of 1785, Gros, by his own choice, entered the studio of Jacques-Louis David, which he frequented assiduously, continuing at the same time to follow the classes of the Collège Mazarin.
The death of his father, whose circumstances had been embarrassed by the French Revolution, threw Gros, in 1791, upon his own resources. He now devoted himself wholly to his profession, and competed (unsuccessfully) in 1792 for the grand prix. About this time, however, on the recommendation of the École des Beaux Arts, he was employed on the execution of portraits of the members of the National Convention, and disturbed by the development of the Revolution, Gros left France in 1793 for Italy.
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