Antics | ||||
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Studio album by Interpol | ||||
Released | September 27, 2004 | |||
Recorded | March – May 2004 | |||
Studio | Tarquin Studios (Bridgeport, Connecticut) |
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Genre | ||||
Length | 41:39 | |||
Label | Matador | |||
Producer |
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Interpol chronology | ||||
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Singles from Antics | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 80/100 |
Review scores | |
Source | Rating |
AllMusic | |
Blender | |
Entertainment Weekly | B+ |
The Guardian | |
Los Angeles Times | |
NME | 8/10 |
Pitchfork Media | 8.5/10 |
Q | |
Rolling Stone | |
Spin | A− |
Antics is the second studio album by the American rock band Interpol, released in September 2004. The album went on to sell 488,000 copies in the U.S. and over 100,000 in the UK. It made the top 10 list of several music critics for the year of 2004.
Morse code is used in several places throughout the album's packaging, continuing the nautical themes found in a few of the tracks' lyrics ("Take You on a Cruise", "Public Pervert", "A Time To Be So Small"). Code for the word "antics" is used on the back panel of the slipcase, as well as in the booklet; other words included in code are "length", "narc", "cruise", and "exit". Photography of the band used in the interior of the album was produced by Ami Barwell.
The album was reissued in August 2005 in the United States with a bonus disc that contained four remixes by the band, a B-side, and the videos for all three singles.
Antics was certified gold by the RIAA on April 1, 2009.
Upon its release in 2004, the album received very positive reviews, with a Metascore of 80 out of 100 ("generally favorable reviews") from Metacritic.E! Online gave it an A and said, "There's something totally irresistible about Antics: The air of mystery, the bleak but hopeful arrangements and the melodies so sharp and moving that they might inspire a night of heroic partying." Josh Modell of The A.V. Club gave it a favorable review and said that the album "may be predictable, but if predictable means rock-solid and mostly magnificent, why bother asking for more?" Mikael Wood of The Village Voice also gave it a favorable review and said, "What makes Antics such an improvement over Bright Lights is how capable Interpol have become at complementing Banks's lovely ambiguity with an increasingly precise post-punk throb." Dan Tallis of BBC Music likewise gave it a favorable review and said, "What's inescapable is that Antics does sound similar to Turn On The Bright Lights. This is despite the drummers attempt to lift the gloom by introducing a poppy, even dance drum beat during two or three tracks. [...] However this record has been widely praised. The difference is that Interpol have progressed. The band haven't repeated the formula, they've improved upon it."