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Andrew Wyeth

Andrew Wyeth
Andrew Wyeth.jpg
Wyeth receiving the National Medal of Arts in 2007
Born Andrew Newell Wyeth
(1917-07-12)July 12, 1917
Chadds Ford, Pennsylvania, US
Died January 16, 2009(2009-01-16) (aged 91)
Chadds Ford, Pennsylvania, US
Resting place Hathorn Cemetery, Cushing, Maine, US
Education N. C. Wyeth
Known for Painting
Notable work Christina's World
Movement regionalist
Awards Presidential Medal of Freedom

Andrew Newell Wyeth (/ˈw.ɛθ/ WY-eth; July 12, 1917 – January 16, 2009) was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He was one of the best-known U.S. artists of the middle 20th century.

In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. Wyeth often noted: "I paint my life." One of the best-known images in 20th-century American art is his painting Christina's World, currently in the collection of the Museum of Modern Art in New York City. This tempera was painted in 1948, when Wyeth was 31 years old.

Andrew was the youngest of the five children of illustrator and artist N.C. (Newell Convers) Wyeth and his wife, Carolyn Bockius Wyeth. He was born July 12, 1917, on Henry David Thoreau's 100th birthday. Due to N.C.'s fond appreciation of Henry David Thoreau, he found this both coincidental and exciting. N.C. was an attentive father, fostering each of the children's interests and talents. The family was close, spending time reading together, taking walks, fostering "a closeness with nature" and developing a feeling for Wyeth family history.

Andrew was home-tutored because of his frail health. Like his father, the young Wyeth read and appreciated the poetry of Robert Frost and the writings of Henry David Thoreau and studied their relationships with nature. Music and movies also heightened his artistic sensitivity. One major influence, discussed at length by Wyeth himself, was King Vidor's The Big Parade. He claimed to have seen the film, which depicted family dynamics similar to his own, "a hundred-and-eighty-times" and believed it had the greatest influence on his work. Vidor later made a documentary, Metaphor, where he and Wyeth discuss the influence of the film on his paintings, including Winter 1946, Snow Flurries, Portrait of Ralph Kline and Afternoon Flight of a Boy up a Tree.


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