Andrew Cane

Andrew Cane (fl. 1602–1650) — also Kayne, Kene, Keine, and other variants — was a comic actor in late Jacobean and Caroline era London. In his own generation he was a leading comedian and dancer, and one of the famous and popular performers of his time.

A child with the surname "Keane" (no Christian name recorded) was baptized on 2 March 1589; this might have been the actor/goldsmith. In 1602, Cane began a ten-year apprenticeship to his older brother Richard, who had finished his own apprenticeship and established himself as a goldsmith in 1600. The younger Cane won his "freedom" in the goldsmiths' guild in 1611. Cane married and began a family in 1612.

Cane's stage career had begun by 1622, when he moved from Lady Elizabeth's Men (at the Cockpit) to the Palsgrave's Men (at the Fortune). After 1631 he was a "chiefe" member of the Prince Charles's Men (II) troupe, and received their payments for their performances at Court.

One of his jobs was dancing the jig that concluded each performance, a traditional task that clowns from Richard Tarlton to John Shank had fulfilled. Like other clowns in this function, Cane used the opportunity of a solo turn on the stage to develop a satiric rapport with his audience. He excelled at the task, and was said to possess "the tongue of Mercury." By the late 1630s, his political satire had grown so sharp that the Privy Council took notice; in 1639 the Council ordered the Attorney General to address the matter of Cane satirizing politicians from the stage of the Red Bull Theatre (though the surviving records do not specify the outcome of the matter).

Cane's stage career was not limited by the official scrutiny. His fame led to non-theatrical expressions: in 1641 a pamphlet titled The Stage Players Complaint was printed, which portrays Cane and another famous clown, Timothy Read, exchanging witticisms on the issues of the day, and talking up the worth and value of playacting.

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