Andrew Aguecheek

Sir Andrew Aguecheek
Sir Andrew, at right in the red stockings, during the third act
Creator	William Shakespeare
Play	Twelfth Night, or What You Will

Sir Andrew Aguecheek (also spelled Ague-cheek) is a comic character in William Shakespeare's play Twelfth Night, or What You Will. One of the main characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish. His role in the play not only provides comedy through his pathetic situation and his long speech, but also by his distinct, long-faced appearance and garish dress sense. The role has been a favorite for noted actors such as Alec Guinness, Christopher Plummer, Paul Scofield and Roger Rees.

Sir Andrew Aguecheek first appears in the third scene of Act I, as the so-called friend of Sir Toby Belch. Sir Andrew is a guest at the home of Sir Toby's niece Lady Olivia, where Sir Toby, a drunkard and glutton, resides. Although we are not made aware of Sir Andrew's family or connections, it is said that his annual income is 3,000 ducats, a significant amount and roughly equal to that of a skilled craftsman of the period, leading us to assume that he is a gentleman of some leisure. Ineptly, Sir Andrew attempts to court Olivia, and her rejection of him, in favour of dashing Cesario, prompts Sir Andrew to challenge Cesario to a duel. His slow-witted nature allows Sir Toby perfect opportunity to take advantage of him, even openly admitting that by playing to Sir Andrew's generosity and gullibility, he has milked him for approximately two-thirds of his stated income. Sir Andrew fancies himself a great dancer and swordsman, and the scenes where he ineptly engages in these activities are points of physical comedy in the play. Sir Andrew's age is not made clear, but it is assumed that he is a number of years younger than Sir Toby.

Sir Andrew and Malvolio are probably the only characters whose situation at the end of the play is not as favourable as in the beginning. Amongst three happy couples and a humiliated Malvolio in the final scene, Sir Andrew has already made his closing exit, following Sir Toby's open insults toward him. Friendless and deep in debt, this ending echoes one of Sir Andrew's better known lines, from the third scene of the second act: "I was adored once too." The negative outcome for Sir Andrew, combined with his having been the subject of jokes and Sir Toby's greed, is a strain of melancholy in an otherwise comical play.