André Navarra

André-Nicolas Navarra (13 October 1911 Biarritz, France – 31 July 1988 Siena, Italy) was a French cellist and cello teacher.

He was born into a musical family, his father a bassist of Italian descent. His parents took steps to prepare him for music before setting him up with an instrument, teaching him scales and solfège before he began studying cello at age seven. Two years later, he was accepted as a student at the Toulouse Conservatory, and graduated in 1924 with first prize at age thirteen. He then continued his studies at the Conservatoire de Paris, learning cello from Jules-Leopold Loeb and chamber music from Charles Tournemire. He graduated two years later at age fifteen, again taking first prize.

After the completion of his lessons at the Conservatoire de Paris, Navarra stopped taking lessons entirely—something very unusual for first-rate soloists. Instead, he worked out his own course of study, and practiced at it. This included transcribing many of the violin technical methods to make up for a lack of decent cello études, including those of Carl Flesch and Otakar Ševčík.

Navarra remained in Paris for this period of self-study, and used the opportunity to meet and observe the playing of musicians such as Emanuel Feuermann, the pianist Alfred Cortot, and the violinist Jacques Thibaud. Navarra also developed friendships with composers Jacques Ibert, Florent Schmitt, and Arthur Honegger. Later on, he was mentored by Pablo Casals in regard to artistic matters.

In 1929, at the age of eighteen, Navarra joined the Krettly Quartet, and remained with them for the next seven years. He also helped form an ensemble called the B.B.N. Trio with the pianist Joseph Benvenuti and violinist René Benedetti. Two years later, he made his solo debut with Paris's Colonne Orchestra, performing Édouard Lalo's Cello Concerto in D minor. In 1933 he became principal cellist of the Paris Opéra Orchestra, in addition to continuing to appear as a soloist with various European orchestras.

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