André Hornez
| André Hornez | |
|---|---|
Portrait of André Hornez.
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| Born |
May 12, 1905 Lens, France |
| Died | March 9, 1989 (aged 83) Le Perreux-sur-Marne, France |
| Burial place | Faverolles |
| Residence | Faverolles |
| Nationality | French |
| Occupation | Lyricist, Screenwriter |
| Years active | 1932–1983 |
| Notable work | C'est si bon (1947) |
| Style | Chanson, Operetta |
| Spouse(s) | Gisèle Fréry (m. 1963; his death 1989) |
André Hornez (12 May 1905 – 9 March 1989) was a French lyricist and screenwriter.
Lyricist of Paul Misraki in the years 1930-1940 for which he writes many songs lyrics like Qu'est-ce qu'on attend pour être heureux ? (1937), André Hornez then became the lyricist of Henri Betti in the years 1940-1950 for which he wrote especially the lyrics to C'est si bon (1947).
Born in Lens in 1905, André Hornez a passion early for architecture and writing. He finally chose writing. He began his career as secretary of Saint-Granier. For him, he writes books magazines and operettas. The author is also hired by Paramount company in Hollywood to write screenplays.
His first songs are composed by Paul Misraki and performed by Ray Ventura and Maurice Chevalier. As for Ray Ventura, they collaborate with lyricist for many years. Among the best-known songs from this collaboration are Ca vaut mieux que d'attraper la scarlatine (1936), Qu'est-ce qu'on attend pour être heureux ? (1937), Comme tout le monde (1938), Tiens, tiens, tiens (1939), Dans mon cœur (1940), Maria de Bahia (1946) and La mi-août (1950).
In 1936, the song Tant qu'il y aura des étoiles, performed by Tino Rossi, became a classic of French song. In the late 1930s, André Hornez also written for Rina Ketty (Sérénade sans espoir, 1939) and Johnny Hess (Je suis swing, 1939).
Screenwriter for film, he wrote a number of film lyrics like Avec son tralala sung by Suzy Delair in Quai des Orfèvres (1947) by Henri-Georges Clouzot. His songs are performed by Yves Montand (Moi j' m'en fous, Du soleil plein la tête), Lucienne Delyle (Mon cœur attendait, 1951), André Claveau (Malgré tout, 1951) or Line Renaud (Ni pourquoi ni comment).
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