The Andover Estate, in Holloway, North London, is a large Islington London Borough Council housing estate which is flanked by Hornsey Road (west), Seven Sisters Road (south), Durham Road (east) and Birnam Road (north). It falls into the N7 postcode district of London.
The older part of the estate along Andover Road was built in 1938. The newer buildings, which make up the majority of the estate, were built from 1973 to 1979.
This area of Holloway was rebuilt after streets of old housing were knocked down in the 1960s. When the estate was built it was seen as a model housing estate, and provided over 1000 homes in an area of high deprivation.
Three large uniquely designed triangular buildings rise into the sky on the estate, named Didbin, Noll and Docura Houses respectively, after local architects. Some of the blocks of dwellings were named after railway junctions: Andover, Barmouth, Chard, Methley, Rainford and Yeovil.
Many similar estates being built at the same time. Nearby Elthorne Estate was designed quite similarly in the mid-1970s but unlike Andover's three big blocks didn't have any high rise development.
Other nearby housing estates, Six Acres Estate, Harvist Estate, and Elthorne Estate were built when it was considered more viable to modernise rather than rebuild after the area suffered bomb damage some twenty five years earlier in World War II.
The estate was subject to a 2007 ITV documentary in which a local MP, Ann Widdecombe, spent a night in one of the flats to highlight the supposed problem of youths causing trouble. The youth of Andover Estate then got together with a London film maker, Michelle Golding [1], to produce a film rebutting the Ann Widdecombe programme. Young residents put across their side of the story to demonstrate that they are more likely to be victims of crime than perpetrators.
The film highlights the actual reduction in crime on the estate over the last couple of years and the problem of much of the crime being committed by non-residents. It also discusses the negative impact created by what is described as the sloppy journalism of the Ann Widdecombe film.