Anatomy of Criticism

Anatomy of Criticism

Cloth front cover of the first edition
Author	Northrop Frye
Country	Canada
Language	English
Subject	Literary criticism; rhetoric
Publisher	Princeton University Press
Publication date	1957
Media type	Print
Pages	383
OCLC	230039

Anatomy of Criticism: Four Essays (Princeton University Press, 1957) is a book by Canadian literary critic and theorist, Northrop Frye, which attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature. Frye consciously omits all specific and practical criticism, instead offering classically inspired theories of modes, symbols, myths and genres, in what he termed "an interconnected group of suggestions." The literary approach proposed by Frye in Anatomy was highly influential in the decades before deconstructivist criticism and other expressions of postmodernism came to prominence in American academia circa 1980s.

Frye's four essays are sandwiched between a "Polemical Introduction" and a "Tentative Conclusion." The four essays are titled "Historical Criticism: A Theory of Modes", "Ethical Criticism: a Theory of Symbols", "Archetypal Criticism: A Theory of myths", and "Rhetorical Criticism: A Theory of Genres."

The purpose of the introduction is to defend the need for literary criticism, to distinguish the nature of genuine literary criticism from other forms of criticism, and to clarify the difference between direct experience of literature and the systematic study of literary criticism.

There are a number of reasons why the introduction is labeled as a 'polemic'. In defending the need for literary criticism, Frye opposes a notion common to Tolstoy and Romantic thought that 'natural taste' is superior to scholarly learning (and by extension, criticism). Frye also accuses a number of methods of criticism (e.g. Marxist, Freudian, Jungian, Neo-classical, etc.) as being embodiments of the deterministic fallacy. He is not opposed to these ideologies in particular, but sees the application of any external, ready-made ideology to literature as a departure from genuine criticism. This results in subjecting a work of literature to an individual's pet philosophy and an elevation or demotion of authors according to their conformity to the pet philosophy.