An-My Le
| An-My Lê | |
|---|---|
| Born | 1960 Saigon |
| Nationality | American |
| Occupation | Professor |
| Known for | Photography |
| Awards | MacArthur Fellowship John Simon Guggenheim Memorial Foundation |
An-My Lê (born 1960, Saigon, Vietnam) is an Vietnamese American photographer, and professor at Bard College. An-My Lê received her BAS and MS degrees from Stanford University and an MFA from Yale University. She is a 2012 MacArthur Foundation Fellow and has received numerous other awards including the Tiffany Comfort Foundation Fellowship (2010), the National Science Foundation Antarctic Artists and Writers Program Award (2007) and the John Simon Guggenheim Memorial Foundation Fellowship (1997). Her work has been widely exhibited, with solo shows at the Baltimore Museum of Art; Museum aan de Stroom, Antwerp, Belgium; MK Gallery, Milton Keynes, UK; Dia, Beacon, New York; Henry Art Gallery, Seattle; San Francisco Museum of Modern Art; Museum of Contemporary Photography, Chicago; and MoMA PS1, New York. Lê is represented by Murray Guy Gallery in New York. Her work is featured in the 2017 Whitney Biennial
An-My Lê's photographs and films examine the impact, consequences, and representation of war. Whether in color or black-and-white, her pictures frame a tension between the natural landscape and its violent transformation into battlefields. Projects include "Viêt Nam" (1994–98), in which Lê’s memories of a war-torn countryside are reconciled with the contemporary landscape; "Small Wars" (1999–2002), in which Lê photographed and participated in Vietnam War reenactments in Virginia and North Carolina; and "29 Palms" (2003–04), in which United States Marines preparing for deployment play-act scenarios in a virtual Middle East in the California desert. These three projects were brought together in a monograph titled "Small Wars," published by Aperture. Suspended between the formal traditions of documentary and staged photography, Lê’s work explores the disjunction between wars as historical events and the ubiquitous representation of war in contemporary entertainment, politics, and collective consciousness.
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