Syntactic ambiguity, also called amphiboly or amphibology, is a situation where a sentence may be interpreted in more than one way due to ambiguous sentence structure.
Syntactic ambiguity arises not from the range of meanings of single words, but from the relationship between the words and clauses of a sentence, and the sentence structure underlying the word order therein. In other words, a sentence is syntactically ambiguous when a reader or listener can reasonably interpret one sentence as having more than one possible structure.
In legal disputes, courts may be asked to interpret the meaning of syntactic ambiguities in statutes or contracts. In some instances, arguments asserting highly unlikely interpretations have been deemed frivolous.
A globally ambiguous sentence is one that has at least two distinct interpretations. In this type of ambiguity, after one has read or heard the entire sentence, the ambiguity is still present. Rereading the sentence cannot resolve the ambiguity because no feature of the representation (i.e. word order) distinguishes the distinct interpretations. Global ambiguities are often unnoticed because the reader tends to choose the meaning he or she understands to be more probable. One example of a global ambiguity is "The woman held the baby in the green blanket." In this example, the baby could be wrapped in the green blanket or the woman could be using the green blanket as an instrument to hold the baby.
A locally ambiguous sentence is a sentence that contains an ambiguous phrase but has only one interpretation. The ambiguity in a locally ambiguous sentence briefly persists and is resolved, i.e., disambiguated, by the end of the utterance. Sometimes, local ambiguities can result in "garden path" sentences, in which a structurally sound sentence is difficult to interpret because one interpretation of the ambiguous region is not the ultimate coherent interpretation.
Aristotle writes about an influence of ambiguities on arguments and also about an influence of ambiguities depending on either combination or division of words:
... if one combines the words 'to write-while-not-writing': for then it means, that he has the power to write and not to write at once; whereas if one does not combine them, it means that when he is not writing he has the power to write.
Newspaper headlines are written in a telegraphic style (headlinese) which often omits the copula, creating syntactic ambiguity. A common form is the garden path type. The name crash blossoms was proposed for these ambiguous headlines by Danny Bloom in the Testy Copy Editors discussion group in August 2009. He based this on the headline "Violinist linked to JAL crash blossoms" that Mike O'Connell had posted, asking what such a headline could be called. The Columbia Journalism Review regularly reprints such headlines in its "The Lower Case" column, and has collected them in the anthologies "Squad Helps Dog Bite Victim" and "Red Tape Holds Up New Bridge".Language Log also has an extensive archive of crash blossoms, for example "Infant Pulled from Wrecked Car Involved in Short Police Pursuit".