American folksongs
| Music of the United States of America | |
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| Religious music | |
| Ethnic music | |
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| Nationalistic and patriotic songs | |
| National anthem | The Star-Spangled Banner |
| Regional music | |
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as Great Britain, Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."
Roots music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later developed in the United States, including rock and roll, rhythm and blues, and jazz.
Most songs of the Colonial Fletch and Revolutionary period originated in England, Scotland and Ireland and were brought over by early settlers. "Barbara Allen" remains a popular traditional ballad originating in England and Scotland, which immigrants introduced to the United States. The murder ballad "Pretty Polly" is an American version of an earlier British song, "The Gosport Tragedy".
African American folk music in the area has roots in slavery and emancipation. "Sacred music, both a Capella and instrumentally accompanied, is at the heart of the tradition. Early spirituals framed Christian beliefs within native practices and were heavily influenced by the music and rhythms of Africa." Spirituals are prominent, and often use a call and response pattern. "Gospel developed after the Civil War (1861-65). It relied on biblical text for much of its direction, and the use of metaphors and imagery was common. Gospel is a "joyful noise," sometimes accompanied by instrumentation and almost always punctuated by hand clapping, toe tapping, and body movement."
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Wikipedia