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American fiddle


American fiddle-playing began with the early settlers who found that the small viol family instruments were portable and rugged. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish fiddle styles as well as Scottish and the more refined traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns had written lyrics, and other such tunes as "Flowers of Edinburgh" and "Tamlin," which were claimed by both Scottish and Irish lineages.

Soon these tunes were Americanized; local variations developed in the Northern and Southern colonies. In contemporary American fiddle styles, the New England states are heavily influenced by all Celtic styles, including Cape Breton fiddle-playing; whereas Southern or "Dixie" fiddle styles have tended to develop their own traditions, which emphasize double stops and in some instances the incorporation of dance calls or simple lyrics.

In a radical departure from tradition, groups such as Trio Chipontepec are cropping up at American fiddle festivals. Rock is fusing with country, jazz with rock, and classical violinists are retooling in an era characterized by home recording studios and the easy availability of new media such as MP3 downloads.

Some folk fiddlers distinguish "fiddle" from "violin", though this is far from universal - many classical violinists refer to their "fiddle". Nevertheless, a few common differences may be observed;

Generally, the setup of the instruments is different:

Fiddle playing generally avoids vibrato except for occasional slow tempo pieces and even then uses less vibrato. Shorter bowstrokes are also consistent with the fiddle players' tendency to use less legato and more detache bow strokes. Some, but not all, styles use double stops and open tunings. Trick fiddling is employed, often built upon cross bowing technique such as used in Orange Blossom Special or Beaumont Rag. Bowing by fiddle players is quite different in that they may intentionally grip the frog in a crude manner and typically choke up on the bow. See for instance Rhiannon Giddens of the Carolina Chocolate Drops Massachusetts performance of Genuine Negro Jig in May 2010.


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