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American Artists' Congress


The American Artists' Congress (AAC) was an organization founded in February 1936 as part of the popular front of the Communist Party USA as a vehicle for uniting graphic artists in projects helping to combat the spread of fascism. During World War II the organization was merged into the Artists' Council for Victory, which effectively spelled the end of the organization.

The Great Depression and the rise of fascism in the 1930s caused politics and arts to collide as cultural liberals united to work on common goals. Communist parties adopted a policy of forming broad alliances with anybody willing to oppose fascism and became known as the Popular Front. After the official formation of the United Front in 1935, artists in the U.S. began seeing themselves as the “guardians of liberal and democratic ideals”

Social art became significant, with 1933–38 seeing the formation of the John Reed Clubs, the Artists Union, the Harlem Artists Guild, and the American Artists' Congress. Artists had an idealistic view of working-class culture and used the labor movement as a sort of prototype for their mission. There was a shift in the patronage, subject matter, and position of the art produced during this time.

By 1934 and 1935, it became clear that the John Reed Clubs' sectarian policies were not congruent with the Popular Front. At a meeting of the John Reed Club, the idea of an American Artists' Congress was discussed and twelve of those present were given the task of organizing it.Stuart Davis was put in charge of forming its committee. Almost all of those involved with creating the AAC were established figures of the Communist left and had some connection with the John Reed Clubs.

The AAC hoped to establish a group of artists who realized that collective organization was necessary to combat fascism. Politically and artistically, the congress attempted to distinguish itself from the John Reed clubs, which were specifically radical and rigidly adhered to a particular set of views. By creating a group that was non-sectarian and tolerant of all affiliations, the AAC fit in with the goal of the Popular Front.


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