Amanda Conner
| Amanda Conner | |
|---|---|
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| Nationality | American |
| Area(s) | Writer, Penciller, Inker |
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Notable works
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Power Girl Gatecrasher |
| Awards | Inkwell Award for The All-in-One Award (2010) |
| Spouse(s) | Jimmy Palmiotti |
| http://www.amandaconner.com/ | |
Amanda Conner is an American comic book artist and commercial art illustrator. She began her career in the late 1980s for Archie Comics and Marvel Comics, before moving on to contribute work for Claypool Comics' Soulsearchers and Company and Harris Comics' Vampirella in the 1990s. Her 2000s work includes Mad magazine, and such DC Comics characters as Power Girl and Atlee.
Her other published work includes illustrations for The New York Times and Revolver magazine, advertising work for products such as Arm & Hammer, Playskool, design work for ABC's Nightline, and commercials for A&E's Biography magazine.
Amanda Conner studied at The Kubert School in Dover, New Jersey. She names as influences Joe Kubert, for teaching his students to compose pages as if they were to be devoid of any dialogue or word balloons, and Frank Miller for his pacing and his ability to create tension and intense action and reactions.
Conner worked at a color separation company, which handled comics coloring prior to the industry adoption of computer programs such as Photoshop. She subsequently worked in a comic book store. At the time she lived a little over an hour from New York City, and on her days off, would travel to New York City with her father, and use his office at the advertising industry where he worked as a home base from which to call editors at Marvel Comics and DC Comics to request a portfolio review. When granted these interviews, she was told that she had potential, but needed to work on her art more. At this same time she became acquainted with professional artists through her work at the comic shop, and answered an advertisement by artist Bill Sienkiewicz, who was seeking an assistant. She took the job, which became her first comics work, while continuing to show her portfolio to editors at Marvel and DC. She also illustrated storyboards for the advertising industry. After about her sixth or seventh time showing her portfolio, Marvel editor Greg Wright gave Conner her first illustration assignment, an 11-page Yellowjacket back-up story in Solo Avengers #12 (November 1988).
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