Amadeus Quartet
| Amadeus Quartet | |
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left to right: Martin Lovett, Norbert Brainin, Siegmund Nissel, Peter Schidlof
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| Background information | |
| Also known as | Brainin Quartet |
| Years active | 1947–1987 |
| Past members |
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The Amadeus Quartet was a world-famous string quartet founded in 1947 and disbanded in 1987, remarkable for having retained its founding members throughout its long history.
Because of their Jewish origin, the violinists Norbert Brainin (12 March 1923 – 10 April 2005), Siegmund Nissel (3 January 1922 – 21 May 2008) and Peter Schidlof (9 July 1922 – 16 August 1987; later violist) were driven out of Vienna after Hitler's Anschluss of 1938. Brainin and Schidlof met in a British internment camp at Prees Heath before being transferred on to the Isle of Man; many Jewish refugees had the misfortune of being confined by the British as "enemy aliens" upon seeking refuge in the UK. Brainin was released after a few months, but Schidlof remained in the camp, where he met Nissel. Finally Schidlof and Nissel were released, and the three of them were able to study with violin teacher Max Rostal, who taught them free of charge. It was through Rostal that they met cellist Martin Lovett, and in 1947 they formed the Brainin Quartet, which was renamed the Amadeus Quartet in 1948.
The group gave its first performance as the Amadeus Quartet at the Wigmore Hall in London on 10 January 1948, underwritten by British composer and conductor Imogen Holst. On 25 January 1983 the Quartet gave a 35th anniversary concert in the same concert hall with a programme which included Beethoven’s String Quartet in C major, op.59 no. 3 (3rd Rasumovsky Quartet). Touring extensively, the Amadeus performed throughout Europe, Canada, the United States, Japan, and South America. Noted for its smooth, sophisticated style, its seamless ensemble playing, and its sensitive interpretation, the quartet made some 200 recordings, among them the complete quartets of Ludwig van Beethoven, Johannes Brahms, and Wolfgang Amadeus Mozart. For concerts as well as recordings of string quintets (Mozart, Franz Schubert, Johannes Brahms, Anton Bruckner) and string sextets (Brahms) they regularly invited Cecil Aronowitz as second viola and William Pleeth as second cello. Though they emphasized a standard Classical and Romantic repertory, they also performed works by such 20th-century composers as Béla Bartók and Benjamin Britten who wrote his third quartet expressly for them.
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