Alternative comics
| Alternative comics | |
|---|---|
| This topic covers comics that fall under various genres. | |
| Publishers |
Fantagraphics Books Drawn and Quarterly Alternative Comics Last Gasp Top Shelf Productions |
| Publications |
RAW Weirdo Love and Rockets Eightball Hate |
| Subgenres | |
| This type of comic can be broken down into: minicomics indie comics |
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| Related articles | |
| Underground comix | |
Alternative comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.
Alternative comics are often published in small numbers as the author(s) deem fit. They are often published with less regard for regular distribution schedules.
Many alternative comics have variously been labelled post-underground comics, independent comics, indie comics, auteur comics, small press comics, new wave comics, creator-owned comics, art comics, or literary comics. Many self-published "minicomics" also fall under the "alternative" umbrella.
By the mid-1970s, artists within the underground comix scene felt that it had become less creative than it had been in the past. According to Art Spiegelman, "What had seemed like a revolution simply deflated into a lifestyle. Underground comics were stereotyped as dealing only with sex, dope and cheap thrills. They got stuffed back into the closet, along with bong pipes and love beads, as things started to get uglier." In an attempt to address this, underground cartoonists moved to start magazines that anthologized new, artistically ambitious comics in the 1980s. RAW, a lavishly produced, large format anthology that was clearly intended to be seen as a work of art was founded by Spiegelman and his wife Françoise Mouly in 1980. Another magazine, Weirdo, was started by the leading figure in underground comix, Robert Crumb, in 1981.
These magazines reflected changes from the days of the underground comix. They had different formats from the old comix, and the selection of artists differed, too. RAW featured many European artists, Weirdo included photo-funnies and strange outsider art-type documents. Elfquest was based on a science fiction/fantasy theme with powerful female and male characters of varied races and cultures, and done in a bright and colourful manga-like style. The underground staples of sex, drugs and revolution were much less in evidence. More emphasis was placed on developing the craft of comics drawing and storytelling, with many artists aiming for work that was both subtler and more complex than was typical in the underground. This was true of much of the new work done by the established comix artists as well as the newcomers: Art Spiegelman's Maus, much celebrated for bringing a new seriousness to comics, was serialized in RAW.
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