All the Invisible Children | |
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Directed by | Various |
Produced by | Various |
Written by | Various |
Starring | Leo Folla |
Music by | Various |
Cinematography | Various |
Edited by | Various |
Distributed by | 01 Distribuzione (Italy) Cinemien (Netherlands) |
Release date
|
1 September 2005 (VFF) |
Running time
|
116 minutes |
Country | France / Italy |
Language | Mandarin / English / Italian / Portuguese / Serbian |
Tanza | |
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Directed by | Mehdi Charef |
Written by | Mehdi Charef |
Starring | Leo Folla |
Music by | Rokia Traore |
Cinematography | Philippe Brelot |
Edited by | Yannick Kergoat |
Uroš (Blue Gypsy) | |
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Directed by | Emir Kusturica |
Produced by | Emir Kusturica |
Written by | Stribor Kusturica |
Starring | Leo Folla |
Music by | Stribor Kusturica |
Cinematography | Michel Amathieu |
Edited by | Svetolik Zajc |
Jesus Children of America | |
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Directed by | Spike Lee |
Produced by | Mike Ellis |
Written by | Cinqué Lee |
Music by | Terence Blanchard |
Cinematography | Cliff Charles |
Edited by | Barry Alexander Brown |
Bilu & João | |
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Directed by | Katia Lund |
Produced by | Ricardo Aidar |
Written by | Eduardo Tripa |
Starring | Vera Fernandez |
Music by | Antonio Pinto |
Cinematography | Toca Seabra |
Edited by | Estevan Santos |
Jonathan | |
---|---|
Directed by |
Jordan Scott Ridley Scott |
Written by | Jordan Scott |
Starring |
Kelly Macdonald Jake Ritzema David Thewlis |
Music by | Ramin Djawadi |
Cinematography | Jim Whitaker |
Edited by | Dayn Williams |
Ciro | |
---|---|
Directed by | Stefano Veneruso |
Written by | Diego de Silva |
Music by | Maurizio Capone |
Cinematography | Vittorio Storaro |
Edited by | Ugo De Rossi |
Song Song & Little Cat | |
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Directed by | John Woo |
Produced by | Terence Chang |
Written by | Li Qiang |
Starring |
Jiang Wenli Zhao Zhicun |
Music by |
Elisa Toffoli Hai Lin |
Cinematography |
Gu Changwei Zeng Nianping |
Edited by | Robert A. Ferretti |
All the Invisible Children is a 2005 anthology film on the theme of childhood and exploitation. It is a collection of seven short films, each focused on a different child. The film has a total runtime of 116 minutes, averaging 16 minutes each. It premiered at the Venice Film Festival on 1 September 2005.
In order of appearance:
All the Invisible Children is a concept of producer Chiara Tilesi. Together with Stefano Veneruso, her producing partner of MK Film Productions, they worked together in the realization of this film composed of seven segments directed by authoritative directors. Each of the directors narrate, through their own personal perspective, unique stories about the children's condition in their part of the world.
Considering the complexity and actual aim of the project, the producers felt the need to involve different personalities and institutions. All the Invisible Children was produced by Maria Grazia Cucinotta, Chiara Tilesi and Stefano Veneruso for MK Film Productions, in conjunction with associate producers Gaetano Daniele, Anna Rita Dell’Atte, Cesare Falletti di Villafalletto and Andrea Piedimonte. The film was co-produced by Rai Cinema and distributed in Italy by 01 Distribution.
Seven young freedom fighters, heavily armed, are covering ground looking for the enemy. At twenty-one their leader is the eldest. Tanza is twelve and has joined this group after witnessing the massacre of his family. While bathing in a river in the middle of the forest, trying to forget their lives as soldiers for a while, they are unaware that in a short time one of them will be dead and one will be sent to blow up a school, where in a few hours other children just like them will be arriving.
Uroš (Blue Gypsy), is about to be released from the juvenile detention centre in which he has spent quite a long time. He is facing the mixed feelings that he has towards his release: dealing again with his father who forces him to steal yet being supposedly freed into the outside world. Uroš’ choice will become clear once he find himself cornered.
Blanca (played by Hannah Hodson) is a Brooklyn teenager who has a daily routine of going to school and enjoying time with her friends despite the backdrop of utter squalor and poverty in which she lives with her parents. But this routine is interspersed with frequent visits to the hospital due to her continued ill health. After a school incident, she finally realises that she is an HIV positive daughter of drug addicted parents and the tale takes a dark and dramatic twist.