All Saints Church, Aldwincle | |
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All Saints Church, Aldwincle, from the west
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Coordinates: 52°25′20″N 0°30′52″W / 52.4223°N 0.5145°W | |
OS grid reference | TL 011 815 |
Location | Aldwincle, Northamptonshire |
Country | England |
Denomination | Anglican |
Website | Churches Conservation Trust |
Architecture | |
Functional status | Redundant |
Heritage designation | Grade I |
Designated | 25 May 1967 |
Architectural type | Church |
Style | Gothic |
Groundbreaking | 13th century |
Completed | 15th century |
Specifications | |
Materials |
Limestone, Roofs in lead and Collyweston stone slate |
All Saints Church is a redundant Anglican church in the village of Aldwincle, Northamptonshire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is under the care of the Churches Conservation Trust.
The church originated in the 13th century. During the next century the north aisle, the vestry and the clerestory were added. In the 15th century the tower, porch and chapel were built. The chapel was a chantry chapel founded by the Chambre family and dates from 1488–89. In 1863 the chancel was restored, followed by the rest of the church in 1893. By this time the parish of All Saints had been united with that of St Peter's, Aldwincle, and All Saints subsequently became disused. It was declared redundant in 1976, and has been made into an architectural museum.
The poet John Dryden was born in the nearby rectory in 1631, and was baptised in the church.
All Saints is constructed in limestone, and its roofs are covered partly in lead and partly in Collyweston stone slate. Its plan consists of a nave with a clerestory, north and south aisles, a south porch, a chancel with a chapel to the south and a vestry to the north, and a west tower. The tower is in four stages with buttresses at the corners. The stages are divided by string courses carved with a variety of images. In the lowest stage is a west doorway. Above this, in the second stage and extending into the third stage, is a three-light window. Over this, in the third stage, is a small niche. The top stage is the largest, and is almost completely filled by bell openings on each side. These are square-headed and double, each side containing two lights. Above them is a frieze containing quatrefoils, a battlemented parapet, and a tall crocketted pinnacle at each corner.