Albert Vizentini was a French violinist, composer, conductor and music writer, born in Paris on 9 November 1841, and died there on 21 October 1906. His main centre of activity was the French capital, but he also worked for ten years in Russia and toured in Britain and Ireland.
Vizentini came from an Italian musical family active in the theatre, one of whom had established himself at the Comédie-Italienne. As a child he appeared in various children’s roles at the Théâtre de l'Odéon, making his debut on 31 December 1847 in Le Dernier Banquet, a revue by Camille Doucet. His father Augustin worked at the Vaudeville Theatre in Paris, then became stage manager in the last season of the Théâtre Lyrique.
He undertook musical studies at the Conservatoire in Brussels, under Leonard and Fétis, achieving first prize in violin in 1860 and a first prize in composition in 1861. After briefly acting as assistant conductor at the theatre in Antwerp he returned to Paris.
Vizentini joined the orchestra of the Théâtre des Bouffes-Parisiens then became leader of the orchestra at the Théâtre Lyrique from 1861–66, as well as appearing as a concert soloist. He began conducting at the Théâtre de la Porte-Saint-Martin and toured with another French operetta troupe to London, English provincial towns and Ireland,
From 1865-1873 Vizentini wrote about the theatre and music for various journals, displaying a lively wit and solid knowledge. His articles appeared in Le Charivari, L'Entr'acte, the Grand Journal, Paris-Magazine, L'Événement illustré, L'Éclair, and he founded a short-lived theatrical bulletin Le Télégraphe.
Having started to work at the Théâtre de la Gaîté-Lyrique Vizentini took over from Offenbach there in 1875, where he acted as both music director and administrator. He started with a lavish premiere production on 26 October of Le voyage dans la lune by Offenbach. The following year he attempted to rekindle the spirit and repertoire of the Théâtre Lyrique, by bringing on more substantial operas. He had much support, in particular from composers, the press and public administration, and secured a subsidy towards the running costs. The major premiere was to be Dimitri by Victorin de Joncières, an opera in 5 acts, for which Vizentini assembled a notable cast of singers, including Victor Capoul, Michot, Jacques Bouhy, Léon Melchissédec, Grivot and Heilbron. He next decided to mount a production of Paul et Virginie by Victor Massé which enjoyed a major success, followed by works such as Le Timbre d’argent, by Saint-Saëns, Le Bravo by Salivaire, and L'Aumônier du régiment by Hector Salomon. Nonetheless, in spite of artistic success and public sympathy the company closed after twenty months in early January 1878.