Ajay Kapur
| Ajay Kapur | |
|---|---|
| Citizenship | United States of America, Canada, New Zealand |
| Nationality | Indian |
| Fields | Computer science, music |
| Institutions | California Institute of the Arts, New Zealand School of Music, Kadenze |
| Alma mater | Princeton University, University of Victoria |
| Doctoral advisor | Dr George Tzanetakis |
| Known for | Musical Robotics, Online Arts and Music Education |
Ajay Kapur (born 1980) is a computer scientist, musician, and educator known for his pioneering work in musical robotics and electronic instrument design. He has toured internationally with his custom electronic sitar and mobile robotic drummer, the MahaDeviBot and currently serves as professor at California Institute of the Arts and the New Zealand School of Music. Ajay is also co-founder, president and CEO of Kadenze, the MOOC for arts, music and creative technology.
In June 2002, Ajay Kapur received his undergraduate degree in computer science from Princeton University. For his senior thesis, he conceived the Electronic Tabla MIDI Controller. After his undergraduate degree, he engaged in graduate studies at the University of Victoria in Victoria, British Columbia under Dr. George Tzanetakis. Kapur received his PhD in interdisciplinary studies combining electrical and computer engineering, computer science, mechanical engineering, music, and psychology in November 2007. His dissertation, "Digitizing North Indian Performance: Extension and Preservation Using Multimodal Sensor Systems, Machine Learning & Robotics," was published in 2008 by VDM Verlag Dr. Müller. While studying at the University of Victoria, he learned electromechanical construction techniques from sound sculptor and MacArthur Fellow Trimpin.
Ajay Kapur currently serves as the program director for the Music Technology: Interaction, Intelligence, and Design (MTIID) program and at California Institute of the Arts and additionally holds the title of Associate Dean for Research and Development in Digital Arts. As head of MTIID since 2008, he has increased the program's focus on electromechanical design for musical robotics, DSP, computer science, and world music.
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