Adoration of the Shepherds (Caravaggio)
| Adoration of the Shepherds | |
|---|---|
| Italian: Adorazione dei pastori | |
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| Artist | Caravaggio |
| Year | 1609 |
| Medium | Oil on canvas |
| Dimensions | 314 cm × 211 cm (124 in × 83 in) |
| Location | Museo Regionale, Messina |
The Adoration of the Shepherds is an oil on canvas painting by the Italian artist Michelangelo Merisi, commonly known as Caravaggio. The Adoration of the Shepherds measures 83.07 x 123.62 in. It was commissioned for the Capuchin Franciscans and was painted in Messina for the Church of Santa Maria degli Angeli in 1609 just one year prior to the death of Caravaggio.
Michelangelo Merisi, commonly known as Caravaggio, was born in Milan in the northern region of Lombardy, Italy in 1571. He had to flee from his hometown after wounding a police officer in a tavern brawl. As with most other aspiring artists, he went to Rome to study classical techniques. Throughout his young adult life, Caravaggio was known amongst Italian citizens to be quite unruly and rebellious. He was often arrested on charges for violent behavior.
Cardinal Francesco del Monte took a struggling Caravaggio into his home, and introduced him to his circle—thereby securing Caravaggio with his first public commissions. These commissions were not religious, but entirely secular paintings ranging from flowers and fruit to paintings of a young classical Greek god. It was during this time that he would become world-renowned for the physical particularity and brutal realism of his paintings. In 1599, Caravaggio reached a turning point in his artistic career.
Presumably under Cardinal Francesco de Monte, Caravaggio was commissioned to decorate a wall dedicated to Saint Matthew in the Contarelli Chapel in the church of San Luigi dei Francesi. This was Caravaggio’s first religious work for the Catholic Church. He began to be seen as an artistic visionary for the Church with his use of anachronistic technique to draw people back to the Catholic Church during the Counter Reformation. With this good publicity, he began to pick up many more prestigious commissions. Caravaggio painted from life rather than drawings, which initially received criticism but later revolutionized the term “artistic realism”.
Caravaggio mysteriously died in 1610, a year after finishing The Adoration of the Shepherds.
By the time that Caravaggio painted The Adoration of the Shepherds in 1609, the subjects in his paintings had acquired a more spiritual expressiveness. His figures were isolated against vast, empty backgrounds. This was a contrast to the Renaissance technique of employing decorative backgrounds.
The Capuchins were among the few religious patrons and critics who were fond of Caravaggio’s brutal realism. Many were critical of Caravaggio’s approach to his religious paintings and called it “vulgar” to represent biblical figures as ordinary peasants. The focal point of the scene is Mary in the center. She is swathed in bright red. One of the three shepherds closest to her also has a little bit of what appears to be the same red robe draped along his arm. This might be symbolic of the gesture he is making to touch the Virgin as she is holding Christ. All three shepherds, as well as Joseph identified by a faint halo, look on with amazement and complete adoration at this infant child born in a barn.
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Wikipedia