Adolphe Nourrit

Adolphe Nourrit (3 March 1802 – 8 March 1839) was a French operatic tenor, librettist, and composer. One of the most esteemed opera singers of the 1820s and 1830s, he was particularly associated with the works of Gioachino Rossini and Giacomo Meyerbeer.

Nourrit was born on 3 March 1802 and raised in Montpellier, Hérault. His father, Louis Nourrit (1780–1831), was a well-known operatic tenor and diamond merchant. Louis' example deeply influenced Adolphe (and Adolphe's brother Auguste, who would also become a tenor). Adolphe studied singing and musical theory with his father and then, despite his father's objections, took lessons with Manuel del Pópulo Vicente García. He began his performing career shortly after finishing his studies with García, which lasted for 18 months.

Not yet 20 years of age, Adolphe Nourrit made his professional operatic debut in 1821 as Pylades in Gluck's Iphigénie en Tauride. In 1826, he succeeded his father as the principal tenor at the Paris Opéra, a position he held until 1836.

While at the Opéra, he became a pupil of Gioachino Rossini with whom he would work frequently. Nourrit created all principal tenor roles in Rossini's French operas, namely Néocles in Le siège de Corinthe (1826), Aménophis in the revised version of Moïse et Pharaon (1827), the title role in Le comte Ory (1828), and Arnold in William Tell (1829). He was also the first to perform the roles of Masaniello in Auber's La muette de Portici (1828), Robert in Meyerbeer's Robert le Diable, Eleazar in Halévy's La Juive (1835), and Raoul in Meyerbeer's Les Huguenots (1836), among other parts. When La muette de Portici was performed in Brussels on 25 August 1830, the duet "Amour sacré de la patrie", with Nourrit in the tenor role, was the key to the "opera riot" that sparked the Belgian Revolution.

...
Wikipedia