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Adelphi Charter


The Adelphi Charter on Creativity, Innovation and Intellectual Property is the result of a project commissioned by the Royal Society for the encouragement of Arts, Manufactures & Commerce, London, UK, and is intended as a positive statement of what good intellectual property policy is. The Charter was issued on 13 October 2005.

The Charter has subsequently influenced thinking on Intellectual Property Law, and in particular, heavily influenced a subsequent copyright manifesto Copyright for Creativity - A Declaration for Europe.

The Adelphi Charter reads:

Humanity’s capacity to generate new ideas and knowledge is its greatest asset. It is the source of art, science, innovation and economic development. Without it, individuals and societies stagnate.

This creative imagination requires access to the ideas, learning and culture of others, past and present. And, in the future, others will use what we have done. Human rights call on us to ensure that everyone can create, access, use and share information and knowledge, enabling individuals, communities and societies to achieve their full potential.

Creativity and investment should be recognised and rewarded. The purpose of intellectual property law (such as copyright and patents) should be, now as it was in the past, to ensure both the sharing of knowledge and the rewarding of innovation.

The expansion in the law’s breadth, scope and term over the last 30 years has resulted in an intellectual property regime which is radically out of line with modern technological, economic and social trends. This disconnect threatens the chain of creativity and innovation on which we and future generations depend.

We therefore call upon governments and the international community to adopt these principles:

RSA, Adelphi, London, 13 October 2005

The Charter was prepared by an International Commission of experts from the arts, creative industries, human rights, law, economics, science, R&D, technology, the public sector and education.

Commission members at the time of publishing included;

The Director was John Howkins [1], and the Research Coordinator Dr Jaime Stapleton [2].

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