Accademia Filarmonica di Verona

The Accademia Filarmonica di Verona is an academy dedicated to the performance and study of music, founded in 1543 in Verona, Italy. At its founding it consisted of a group of young noblemen with humanistic and literary inclinations, who were also musical amateurs, coming together to perform and study music. While it was not the first academy in Renaissance Italy – many academies were formed during the Renaissance to discuss intellectual, cultural, and humanistic issues – it was the earliest specifically musical academy of the Renaissance.

The academy was founded on 1 May 1543 by the merging of two previous groups, the Incatenata and a previous Filarmonica. In its earliest incarnation, it was a small group of artists and musicians who assembled to perform and discuss music, largely for their own pleasure, with their meetings including abundant food and wine. The founders of the group were young members of Verona's aristocratic families. The six "regents" of the club took turns leading it, with their terms limited to two months. Before long they recognized the need to hire a professional teacher and composer as their maesto di musica, and in 1547 they contracted Jan Nasco, a Franco-Flemish composer from the Low Countries, to instruct them.

Nasco's duties were strict. The group met daily, and each evening he was to instruct the members in singing, if they wished; even if they did not want instruction, he was required to be present at their meetings. He was to compose music for any poem given to him by a member of the academy, and his compositions became the property of the academy. They gave him an annual salary of 30 ducats and lodging in their palazzo. During the hours prior to nones (three o'clock) he had free time, but if a majority of the members wanted his services he was required to be available. Nasco left his post after about four years, when the members attempted to cut his salary. However, he retained friendly relations with them, sending them numerous letters from Treviso, where he obtained another job. The academy next hired Vincenzo Ruffo to fill the post, but found him negligent in his duties and kept him for only nine months. Next to fill the post was the Frenchman Lambert Courtois. Some of the other notable musicians who served as maestro di musica for the academy in the 16th century included Alessandro Romano, Ippolito Chamaterò, Pedro Valenzuela, and Paolo Bellasio.

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