Acéphale

Derived from the Greek (akephalos, literally "headless"), Acéphale is the name of a public review created by Georges Bataille (which numbered five issues, from 1936 to 1939) and a secret society formed by Bataille and others who had sworn to keep silent.

Dated 24 June 1936, the first issue was only eight pages. The cover was illustrated by André Masson with a drawing openly inspired by Leonardo da Vinci's famous drawing of Vitruvian Man, who embodies classical reason. Masson's figure, however, is headless, his groin covered by a skull, and holds in his right hand a burning heart, while in his left he wields a dagger. Under the title Acéphale are printed the words Religion. Sociologie. Philosophie followed on the next line by the expression the sacred conjuration (la conjuration sacrée).

The first article, signed by Bataille, is titled "The Sacred Conjuration" and claims that "Secretly or not... it is necessary to become different or else cease to be." Further on, Bataille wrote: "Human life is exasperated by having served as the head and reason of the universe. Insofar as it becomes this head and this reason, insofar as it becomes necessary to the universe, it accepts serfdom."

The second issue of the review begins with a large article titled "Nietzsche and Fascists", in which Bataille violently attacks Elisabeth Förster-Nietzsche, Nietzsche's sister, who had married the notorious antisemite Bernhard Förster — the wedding had led to a final rupture between Nietzsche and his sister. Bataille thereby called Elisabeth Elisabeth Judas-Förster, recalling Nietzsche's declaration: "To never frequent anyone who is involved in this bare-faced fraud concerning races."

The same issue contains an unedited text of Nietzsche on Heraclitus from Die Philosophie im tragischen Zeitalter der Griechen (Philosophy in the Tragic Age of the Greeks), as well as an article from Jean Wahl titled "Nietzsche and the Death of God," which is a commentary on a text from Karl Jaspers on Nietzsche.

The other issues also centered on Nietzsche. The last one, prepared but ultimately not published, was titled "Nietzsche's madness" (La folie de Nietzsche). These references to Nietzsche were directed against the philosopher's appropriation by Nazism - despite Nietzsche's opposition against anti-semitism - as one of its seminal thinkers, leading to Nietzsche's unpopularity at the time in France.

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