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Abnormally Attracted to Sin

Abnormally Attracted to Sin
Album Cover Attracted Sin.jpg
Studio album by Tori Amos
Released May 19, 2009
Recorded Martian Engineering Studios, Cornwall, UK, July 2007 - May 2008
Genre
Length 72:03
Label Universal Republic
Producer Tori Amos
Tori Amos chronology
American Doll Posse
(2007)
Abnormally Attracted to Sin
(2009)
Midwinter Graces
(2009)
Singles from Abnormally Attracted to Sin
  1. "Welcome to England"
    Released: April 14, 2009
  2. "Maybe California"
    Released: May 18, 2009
  3. "500 Miles"
    Released: 2009
Professional ratings
Aggregate scores
Source Rating
Metacritic 62/100
Review scores
Source Rating
AllMusic 3/5 stars
The A.V. Club B−
Drowned in Sound (7/10)
Entertainment Weekly B
Los Angeles Times 3/4 stars
musicOMH 3/5 stars
PopMatters (8/10)
Rolling Stone 2.5/5 stars
Slant Magazine 3.5/5 stars
Spin (5/10)

Abnormally Attracted to Sin is the tenth solo studio album by American singer-songwriter Tori Amos, released 19 May 2009, in standard and limited CD/DVD edition. The album debuted on Billboard 200 at no. 9, giving Amos her seventh Top 10 album in the US. Unlike Amos' previous releases since 2000, which drew upon various external sources such as feminism, religion and politics, the album is considered a mainly personal album.

The album's lead single is "Welcome to England". The song was a moderate hit on Triple A radio in the US. The release was supported by the Sinful Attraction Tour in the US, Europe, and Australia.

Amos lifted Abnormally Attracted to Sin's title from a line spoken by one of the main character in the 1955 film Guys and Dolls.

The album itself was written and conceived in two stages: first during Amos' 2007 world tour, while promoting American Doll Posse, followed by a creative spurt of writing and composing the following year, in July 2008, when Amos reconnected with her former music industry mentor Doug Morris while she was visiting California to promote her graphic-novel anthology, Comic Book Tattoo.

During her stay in California that year, Amos revisited some of the old homes and haunts she had frequented as a twenty-something struggling artist in LA during the late '80s. She made a point of visiting the old church behind her old apartment. In past interviews, Amos has stated how songs such as "Crucify" and "Precious Things" were written while living behind this church, listening to endless sermons and worship-songs for hours at a time, alone, hurt and depressed following her failure as a musician (1988's Y Kant Tori Read), and her role as a victim and survivor of physical and sexual assault. It was a threshold moment for Amos, providing her a time of respite, solace and a bit of reflection regarding her life and past. Memories of this time and these places, coupled with some of her own reflections and conclusions as a wife, mother and maturing woman, led to a spontaneous creative spell for the new album. This provided a catalyst for "a second batch of songs", as Amos puts it, which would end up fleshing out the rest of the album.


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