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A Woman and a Man

A Woman and a Man
BelindaCarlisleAWomanandaMan.jpg
Studio album by Belinda Carlisle
Released September 11, 1996 (1996-09-11)
Recorded The Journey Room, Malibu, California
Genre Pop
Length 43:14 (Original version)
39:32 (US version)
Label Chrysalis
Producer David Tickle
Belinda Carlisle chronology
Real
(1993)Real1993
A Woman and a Man
(1996)
A Place on Earth: The Greatest Hits
(1999)A Place on Earth: The Greatest Hits1999
Singles from A Woman and a Man
  1. "In Too Deep"
    Released: July 1, 1996
  2. "Always Breaking My Heart"
    Released: September 9, 1996
  3. "Love in the Key of C"
    Released: November 18, 1996
  4. "California"
    Released: February 17, 1997
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Entertainment Weekly C−

A Woman and a Man is the sixth studio album by American singer Belinda Carlisle, released in the United Kingdom on September 23, 1996, by Chrysalis Records (then part of the EMI Group, like Carlisle's former label Virgin Records). The album contains songs written by Rick Nowels, Maria Vidal, Ellen Shipley, Charlotte Caffey, Neil Finn and Roxette co-founder Per Gessle who also produced one of the tracks.

It was released in the United States in 1997 (see 1997 in music) on the Ark 21 Records label. There was special DTS (surround sound) version released with a slightly different track listing compared to the original; it was only ten tracks long and did not include "Listen to Love", "Love Doesn't Live Here" and "Always Breaking My Heart" but instead had covers of the songs "Jealous Guy" by John Lennon and "The Ballad of Lucy Jordan" by Shel Silverstein.

The album received mixed reviews. Allmusic's Stephen Thomas Erlewine rated the album four stars out of five saying it is a "mature collection of adult pop, with cool keyboards and subtle arrangements that often make the record sound like background music". However, he also noted that "Carlisle has rarely been in better voice".Entertainment Weekly's Steven Mirkin gave the album C- saying that "Carlisle has neither the voice nor personality to overcome her album's cold, emotionally sterile core."


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